Artie Lange suicide attempt - Lange had "so much to live for"

An Artie Lange update. The Hoboken Police confirmed and the Associated Press reported that Howard Stern Show sidekick Artie Lange tried to commit suicide using a 13-inch Wolfgang Puck kitchen knife. Artie Lange was found by his mother unconscious but breathing last Saturday. Lange stabbed himself 9 times, six of them described as hesitation wounds and the final three complete stabs.

What is so troubling about the news of Artie Lange's suicide attempt is that he told the New York Post he had so much to live for and made statements that generally signaled he was on the upswing in life in an interview posted October 30, 2009. (The statements were broken up into paragraphs to make it easier to read that what appears in the NY Post, but this is not the entire interview, just portions for this post.)

In the NYPost interview Artie Lange said:

I had a heroin problem. And I’ve been clean since April. Off of everything. And I’ll tell you, I was taking Subutex to combat that, and I put more weight on me than I ever have, and I got off of that, I got off of heroin, and I lost about 50 pounds, and I tell you I’ve never felt better. I’m completely clean and sober now.

But in this statement, Artie Lange gave a window into a possible episode that caused his suicide attempt;

I think a lot of comedians would tell you that they suffer from depression and are addicts, and I don’t know, it’s the most surreal thing to do for a living. Because you know you’re on stage being the life of the party and trying to get laughs and then in a lot of ways, you don’t have anything to give once you give it to the people.

And for the last decade I’ve been doing it on the radio for five hours a day and then on the road all over the country on stage, you know what I mean? So, you know, you have a lot of dark times.

The road is a lonely place and that sounds like a cliché, you know, like what is my life? I’m like the master of ceremonies being funny and then sometimes people you’re with, girlfriends and stuff are like, ‘God I wish I had the person on stage to be with all the time.’

I have a girlfriend now who’s like a saint, or she’s very supportive of me, I see her and I smile, and that helps too but sometimes you drain a person. It’s so easy to take advantage of a person like that if they’re so giving because you can be selfish.

You’re like well, there’s a lot of times where I’m like, you know what, I can’t go out and have dinner with some of our friends and have fun because I just did five hours of radio all week and then I went to Pittsburgh and flew back and stuff and you know, comedy without question, as another cliché, comes from tragedy.

And so much of my material is very dark. I talk about my problems, I talk about my drug use, I talk about a lot of things, especially on the Stern show and the book is very honest. When I became a standup comic my hero, one of them, was Richard Pryor and you know, I think that comedians like, comedians talk about hacks, and what a hack is, is someone who does stuff that’s not original.

For the entire interview, visit the NY Post here.

Meanwhile, this is a 10-minute video recording of Howard Sterns reaction to the news in New York Post Page 6:



Stay tuned.

Oakland Mayor Ron Dellums should not run for reelection

There's rumor and talk - uncomfirmed - that Oakland Mayor Ron Dellums is considering a run for reelection as Mayor of Oakland. Mayor Dellums should not run again.

In all of the post war, post 1964 Civil Rights Amendment history of Oakland, there has never been a more unpopular Mayor of Oakland than Ron Dellums. The reasons for Oaklanders dislike for Ron Dellums the Mayor, but not Ron Dellums the person, is Dellums now legendary failure to been seen as a leader. It started even before the Oscar Grant Murder in 2009 and the riots that followed, and really has its roots in the formation of Dellums' own plan for Oakland.

The plan was formed after a number of task force groups were formed. But Dellums error was in an insular approach where only supporters and cronies were invited to staff them. Then, rather than have the task force documents available online for everyone to see, Dellums' people placed them in the Oakland Public Library, thereby assuring their invisibility from ready public view in the 21st Century.

The next error was in Dellums lack of understanding and desire of how to issue a message via both new and old media. Many Dellums staffers have openly complained to me about his dislike for the media. Those persons have worked to change Dellums, and have made major headway, but its too little too late. Councilmember Jean Quan, for all of her faults, does at least "get" media and constantly issues her weekly newsletter, weekly.

Dellums failure to be the "first voice of Oakland" on so many issues has cemented his fate. But beyond that, his wishy-washy handling of the Deborah Egderly matter was a case study in Dellums failure to make a clear, swift, decisive move. First she was in, then out, then in, then out.

If that wasn't enough, Dellums failure to come out and make a statement right after the murder of Oscar Grant was horrible. But even worse was the legion of errors made during the Oscar Grant controversy. So many that it led to this rant by Hip Hop Journalist Davey D:



Davey D speaks for a lot of people. Again, it's not personal, its the business of running the City of Oakland that's the focus.

If Mayor Dellums runs for reelection, he has to answer for what must be the most draconian and expensive parking fine and enforcement system in America. A system that has allowed City of Oakland Parking Enforcement workers to tickets almost at will, causing more Oaklanders to get more than five tickets, and making them car tow candidates. Taking their cars away at the time they need them to find work.

Why?

Oakland has a 17 percent unemployment rate. And where Dellums would point to the $65 million in economic stimulus money gained, evidence shows that a good portion of that money is not being used to create new jobs or save private sector jobs, but to maintain City of Oakland government jobs. In other words, to help the City of Oakland make payroll

That's not an economic stimulus.

But the main reason Mayor Dellums should not run for reelection is that his certain election loss would be an embarrassing end to a legendary political career.

Google Nexus One Phone like iPhone but not in retail approach

The Google Nexus One Phone was released this week of CES 2010 and to rave reviews. At CES, many are touting it as an iPhone killer, and TechCrunch Michael Arrington (who's tech start-up award event called "The Crunchies" is tonight), wrote that he uses the Google Nexus One Phone (or "G-phone") as his main mobile phone, having switched from Apple's iPhone.

The Google Nexus One Phone looks like the IPhone and operates in ways that are not far removed from the iPhone. It's a sleek, elegant, even sexy design that is worthy of the considerable buzz it's caused. It's a welcome addition to the smartphone market and promises to give the iPhone a challenger. But there's one thing that could hold it back: it's online-retail only availability.

When the iPhone was introduced in 2007, part of the considerable rush to buy one came from seeing long lines of people at Apple Stores and AT&T retail outlets. TV news cameras captured the event, and happy video-blogging buyers made videos that showed then tearing open the box to show their new iPhone tech toy. The result has been a number of "iPhone unboxing" videos, like this one:



The live-action, ground level, want-it-so-buy-it retail strategy was Apple's genius. With Google's desire to challenge the iPhone, it would seem logical to mimic such an approach.

Google didn't and this is a big mistake.

The Google Nexus One Phone, as of this writing, is available only online. The desire to obtain one by walking down to the local T-Mobile store was blunted by the fact that they're not there. Because of that decision, legions of G-Phone fans that would be walking down the street with their proud new device, aren't. They're waiting for the Google Nexus Phone to be shipped to them.

While not aligning the Google Nexus Phone to one network, as Apple did with AT&T, was a great move, restricting purchases to online-only status as of this writing is a marketing error that actually kills the G-Phone buzz.

If Google wants the Google Nexus Phone to supplant the iPhone as the smartphone king, it should change its retail strategy. The sooner the better, so I can satisfy my desire to have one.

Stay tuned.

Casey Johnson's daughter with Johnson family, not Tila Tequila

Casey Johnson's daughter will be raised by the Johnson family and not Tila Tequila, according to TMZ.com. Casey Johnson adopted three-year-old Ava-Monroe (named after Casey's idol Marilyn Monroe) two years ago but she has been living with Casey Johnson's mother Sale for several months in 2009.

The Johnson family wants Ava to remain with Sale Johnson (who was married to billionaire New York Jets Owner Woody Johnson) for the rest of her life. Sale's married to former Minnesota Vikings Wide Receiver and NBC Sports Announcer Ahmad Rashad. (The same Ahmad Rashad who was married to Phylicia Rashād from The Cosby Show.)

Prior to this news, Tila Tequila said she would take care of Ava, which would have completed a process that saw her fly to New York City with Casey to reclaim Ava in December, according to the New York Post.

Tila Tequila's claim was in part at the center of her dispute with blogger Perez Hilton, who claimed that she would do it just for attention and publicity.

Here Casey Johnson talked about adopting Ava two years ago:

The Bay Area earthquake never felt - 4.1 in Milpitas

There are reports of a Bay Area earthquake never felt that was a 4.1 on the Richter Scale, described as a "medium-sized earthquake" and centered in Milpitas. A slew of reports claim the tembler hit this morning, but it can't be of much importance because only now are people searching for information about it and its almost 6 PM PST.

There are many earthquakes that strike the Bay Area and California on a regular basis ranging from 2 to 4 in size and up and down the coast. The only special thing about this one is it put Milpitas on the map.

Maybe it engineered the whole thing.

Kind of like Perez Hilton picking fights with celebrities, just on a much larger scale. And perhaps its the only way Congress and the Federal Government will give massively broke California the additional economic stimulus money the state badly needs.

Hate to think it takes an earthquake to get the Feds attention, but one has to wonder these days.

The earthquake didn't get everyone' attention; some of us were still asleep. Soundly.

Stay tuned.

Marin's Industrial Light and Magic to get Oscar Technical Award

According to The Academy of Motion Picture Arts and Sciences, Marin's Industrial Light and Magic (who's website has of all things the terrifying image of a Tripod menacing Dakota Fanning in War of The Worlds), has won one of 15 Scientific and Technical Achievement Awards and will receive the prize at a special Scientific and Technical Awards Presentation to be held at The Beverly Wilshire on Saturday, February 20, 2010.

ILM (as Industrial Light and Magic's is called) won for the development of the Imocap on-set performance capture system. Originally developed in 2006 for Pirates of The Carribean: Dead Man's Chest, the system combines hardware and software to track live actors on-set movements and transfer them to animation for CGI characters. This video discusses the Imocap system:



There are 14 other awards and all of them reveal significant changes in film. For example, if you've ever wondered how the light that shines by as one travels through space in Star Trek is developed, it's called "Ambient Occlusion Rendering" and the Oscar for that goes to Hayden Landis, Ken McGaugh and Hilmar Koch for "advancing the technique" according to AMPAS. Here's a video from Star Trek, watch the sunlight flash during the attack on the USS Kelvin - that's an example of mbient Occlusion Rendering:



Here's the total list and description of all of the winners as described by AMAPAS:

Technical Achievement Award (Academy Certificate)

To Mark Wolforth and Tony Sedivy for their contributions to the development of the Truelight real-time 3D look-up table hardware system.

Through the use of color management software and hardware, this complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Dr. Klaus Anderle, Christian Baeker and Frank Billasch for their contributions to the LUTher 3D look-up table hardware device and color management software.

The LUTher hardware was the first color look-up table processor to be widely adopted by the pioneering digital intermediate facilities in the industry. This innovation allowed the facilities to analyze projected film output and build 3D look-up tables in order to emulate print film, enabling accurate color presentation.

To Steve Sullivan, Kevin Wooley, Brett Allen and Colin Davidson for the development of the Imocap on-set performance capture system.

Developed at Industrial Light & Magic and consisting of custom hardware and software, Imocap is an innovative system that successfully addresses the need for on-set, low-impact performance capture.

To Hayden Landis, Ken McGaugh and Hilmar Koch for advancing the technique of ambient occlusion rendering.

Ambient occlusion has enabled a new level of realism in synthesized imagery and has become a standard tool for computer graphics lighting in motion pictures.

To Bjorn Heden for the design and mechanical engineering of the silent, two-stage planetary friction drive Heden Lens Motors.

Solving a series of problems with one integrated mechanism, this device had an immediate and significant impact on the motion picture industry.

Scientific and Engineering Award (Academy Plaque)

To Per Christensen and Michael Bunnell for the development of point-based rendering for indirect illumination and ambient occlusion.

Much faster than previous ray-traced methods, this computer graphics technique has enabled color bleeding effects and realistic shadows for complex scenes in motion pictures.

To Dr. Richard Kirk for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software.

This complete system enables accurate color presentation in the digital intermediate preview process. The Truelight system is widely utilized in digital intermediate production environments around the world.

To Volker Massmann, Markus Hasenzahl, Dr. Klaus Anderle and Andreas Loew for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures.

The Spirit 4K/2K has distinguished itself by incorporating a continuous-motion transport mechanism enabling full-range, high-resolution scanning at much higher frame rates than non-continuous transport scanners.

To Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process.

The ARRISCAN film scanner utilizes a specially designed CMOS array sensor mounted on a micro-positioning platform and a custom LED light source. Capture of the film’s full dynamic range at various scan resolutions is implemented through sub-pixel offsets of the sensor along with multiple exposures of each frame.

To Wolfgang Lempp, Theo Brown, Tony Sedivy and Dr. John Quartel for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process.

Developed for the digital intermediate and motion picture visual effects markets, the Northlight scanner was designed with a 6K CCD sensor, making it unique in its ability to produce high-resolution scans of 35mm, 8-perf film frames.

To Steve Chapman, Martin Tlaskal, Darrin Smart and James Logie for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.

Baselight was one of the first digital color correction systems to enter the digital intermediate market and has seen wide acceptance in the motion picture industry.

To Mark Jaszberenyi, Gyula Priskin and Tamas Perlaki for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process.

Lustre is a software solution that enables non-linear, real-time digital color grading across an entire feature film, emulating the photochemical color-timing process.

To Brad Walker, D. Scott Dewald, Bill Werner and Greg Pettitt for their contributions furthering the design and refinement of the Texas Instruments DLP Projector, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures.

Working in conjunction with the film industry, Texas Instruments created a high-resolution, color-accurate, high-quality digital intermediate projection system that could closely emulate film-based projection in a theatrical environment.

To FUJIFILM Corporation, Ryoji Nishimura, Masaaki Miki and Youichi Hosoya for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters.

The Fujicolor ETERNA-RDI Type 8511/4511 digital intermediate film has thinner emulsion layers with extremely efficient couplers made possible by Super-Nano Cubic Grain Technology. This invention allows improved color sensitivity with the ability to absorb scattered light, providing extremely sharp images. The ETERNA-RDI emulsion technology also achieves less color cross-talk for exacting reproduction. Its expanded latitude and linearity provides superior highlights and shadows in a film stock with exceptional latent image stability.

To Paul Debevec, Tim Hawkins, John Monos and Mark Sagar for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures.

The combination of these systems, with their ability to capture high fidelity reflectance data of human subjects, allows for the creation of photorealistic digital faces as they would appear in any lighting condition.

The Oscars for Scientific and Technical Awards Presentation will be presented at The Beverly Wilshire on Saturday, February 20, 2010.

Avatar, Hurt Locker, Precious head Directors Guild nominees

The Directors Guild of America just announced their five director nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2009. They are in alphabetical order, Kathryn Bigelow for The Hurt Locker, James Cameron for Avatar, Lee Daniels for Precious, Jason Reitman for Up In The Air, and Quentin Tarantino for Inglourious Basterds.

Kathryn Bigelow

The Directors Guild is historically a major precusor award for who will take home the Best Director and by extension Best Picture Oscars at The Academy Awards. In all but six of the 61 years of Oscar has the winner of the DGA Award not taken home the Best Director Award. That was true last year as Danny Boyle won Best Director at both the DGA and The Academy Awards and his film Slumdog Millionaire won Best Picture

But with the addition of five more films in the Best Picture category, even this historic statistic has to be thrown out. But given her Oscar Awards Season success, the front runner in this category has to be Kathryn Bigelow for The Hurt Locker. Already Bigelow has won awards from a number of organizations including the New York Film Critics Online, Boston Society of Film Critics, San Francisco Film Critics, Los Angeles Film Critics Association, New York Film Critics Circle, and the Southeatern Film Critics Association.

The surprise nomination goes to Lee Daniels for his riveting Precious. The story of a young teenage African American girls battle with self-esteem in the face of withering domestic violence has won critical success, but a question of to what degree American audiences are ready to embrace a realistic film about an aspect of African American life seldom focused on as much as it should be. Moreover, the involvement of both Oprah Winfrey and Tyler Perry as executive producers turned off some film critics during its festival run. But all of that was far removed from the masterpiece of a movie Precious is.

James Cameron, Jason Reitman,  and Quentin Tarantino were expected to receive nominations for Avatar, Up In The Air, and Inglourious Basterds.  But of them, Tarantino's film is described as an  elegantly directed, modern cult classic.    

What does this say about the other top-rated films including Star Trek, District 9, and A Serious Man?   It's still too early to tell this year, but if we ignore the Best Picture race and just focus on Oscar: Best Director, it says the competition's primarily between the already much-decorated Kathryn Bigelow, Quentin Tarentino, and James Cameron.    If there's any logic to this, Kathryn Bigelow should take home both the DGA and the Oscar.

But something says this is going to be a year of surprises.

Stay tuned.