Fresh from being wrongly accused for a crime, UCLA's Maurice Drew, drafted by the Jacksonville Jaguars -- who now goes by the name Maurice Jones-Drew -- had a great first NFL game against the Miami Dolphins. Preseason, yes, but it's still a great game and features his 55yd catch-and-run for a TD.
Friday, August 18, 2006
President Bush's Wiretaps Snuffed Out By Judge - "Tricky Dick" Accusations Forthcoming
I just saw this Washington Post article (click on the title) where President Bush's secret wiretaps were deemed unconstitutional by a Federal Judge. The trouble is this activity -- an unconstitional one -- has gone on for several years.
What happens to those out there who may have been the target of such efforts and were wrongly accused of a crime? And did President Bush do this to Democratic Party activists?
This opens a new can of worms, but it's also evidence of how the Bush Administration has acted in a very dangerous way that seemed to paint the picture of a president who believed he was above the law.
I know the reason's tied to 9/11, but that seems to be used as a kind of nice excuse for going a little beyond what's really appropriate in this matter.
This wil further the claim that George W Bush has more in common with Richard M. Nixon, than with Bill Clinton. I write this because I know he and Clinton are friends, but I see Bill as more nuanced in his approach.
Andrew Young's Right; His Comment Isn't Racist, Just Race Concious
Former Amabassor Andrew Young had stepped down from serving on a Wal-Mart sub-committee after making remarks that were seen as racially offensive.
This is what he said:
"In the Sentinel interview, Young was asked about whether he was concerned Wal-Mart causes smaller, mom-and-pop stores to close.
"Well, I think they should; they ran the `mom and pop' stores out of my neighborhood," the paper quoted Young as saying. "But you see, those are the people who have been overcharging us, selling us stale bread and bad meat and wilted vegetables. And they sold out and moved to Florida. I think they've ripped off our communities enough. First it was Jews, then it was Koreans and now it's Arabs; very few black people own these stores."
Now the unfortunate fact of modern America is that many black communities have corner stores ran by people who are generally either Mid Eastern or Korean, and in the past some were Jewish as well. That's a fact. Now even today in Oakland, I can show you examples -- many in number -- of stores that are owned by persons such as those Mr. Young pointed out and do have substandard food and produce. In many cases the inventory hasn't been properly turned over in several months. But with that, the prices are up to three times higher than at a larger chain.
On top of all that, I've never seen one of these stores hire anyone black -- ok, once. That's it.
What Andrew Young pointed to is a fact and he should not be shunned for publically pointing to a problem that needs to be adressed by economic development officials around the US.
Moreover, people have to learn the difference between a racist remark and one that's racially concious. I do agree that Andrew Young should have nuanced his expression of the problem. I think what he should have said is "we need to adress the problems of store quality and price and employment where one ethnic group not African American establishes a store in a black neighborhood."
That would have -- or should have -- gone down better.
How To Get Raiders WR Randy Moss Open - Part One
I've been so critical of Oakland Raiders Offensive Coordinator Tom Walsh's approach , I figured it was only fair to place my own ideas out there.
Here's how I would solve the Raiders offensive line problem and get famed wide receiver Randy Moss open all at the same time.
Then formation here calls for a personal grouping of really three wide receivers and one back, but the third wide receiver plays flanker (Z) in the play, and Randy Moss is three-and-a-half-yards behind the weakside tackle where the fullback would normally be.
We place Moss in motion to the wide weakside before the snap of the ball. This forces the defense to 1) reveal its overall coverage and 2) place a slow defender -- more than likely a safety on first down -- on the fleet Moss. But this manuever also forces the defense to spread out to get Moss, thus leaving a nice passing lane for the tight end, who runs a five-yard out pattern. This second receiver in the pattern set will see the ball most of the time.
Note that Moss has an option to run either a fly pattern against man coverage or a kind of skinny post (break at 12 yards) into the seam of a three-deep defense, should the safety already be back in that position. It's not logical to try to run by the safety; we take our chances with the idea that we can drill our QB to make the throw on time to Moss should he chose to run the skinny post. We also chose the fly as the base pattern, in case the defense makes the mistake of not accouting for Moss in motion out of the backfield.
But Moss and the tight end open up the short middle for the halfback who runs a simple pattern to about 12 yards over the ball. There's nothing fancy here. The idea is to exploit the chance that between the free safety either covering the deep post or "spliting" the field and the middle linebackers moving into short hook zones or rushing the passer, that area will be open.
Finally, the Flanker runs a fake drive pattern, then turns and moves into what I call a "sweet spot" between the two deep zones post and corner and just over the hook zone. The Flanker's the fourth receiver.
The line blocking is zone-push: the linepeople don't give ground and instead push the defenders to keep them at bay. The strong guard is "uncovered" and so watches for the inside linebacker first and then the outside linebacker blitz. If the outside linebacker rushes, the guard slides out to get the defender. If both linebackers rush, the guard plays inside and the QB throws the hot pass to the halfback, who should be wide open.
The QB takes five steps-- three big and two small -- reading the weak safety and the middle linebackers as the drop back is taking place. Then once taking a hitch step set, looks to one, and if not open, then two, and so on...
In this case, the split end "Y" is a decoy that runs a pattern to basically shield the Flanker and then spread the defense wide and to the sideline, perhaps bring the free safety that way depending on the coverage. But a variation of this would have the split end as the primary receiver.
This can be the bread and butter play for any offense, but it's best use is to create a mismatch for Randy Moss. As for the o-line, we solve the problems they have faced by 1) QB and receiver timing and 2) an aggressive blocking style more like the run.
Banarama - Cruel Summer Video
This is one of my all time favorite songs. I never tire of hearing it, and it's still hard to believe it's 23 years old. But Banarama's still going strong; their most recent album's called "Drama."
Black Velvet - YouTube Video With Alannah Myles
If you thought the timeless rock song Black Velvet was a product of The Wilson Sisters -- as I did -- you're flar wrong. The amazing voice behind this classic is of none other than Alannah Myles. Take a look and give a listen here:
Here are the lyrics (according to Songfacts, it's about Elvis Presley, but I thought it was refering to black men in the South, or an African American man she knew -- wishful thinking):
Mississippi in the middle of a dry spell
Jimmy Rogers on the Victrola up high
Mama's dancin' with baby on her shoulder
The sun is settin' like molasses in the sky
The boy could sing, knew how to move, everything
Always wanting more, he'd leave you longing for
Chorus:
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Up in Memphis the music's like a heatwave
White lightening, bound to drive you wild
Mama's baby's in the heart of every school girl
"Love me tender" leaves 'em cryin' in the aisle
The way he moved, it was a sin, so sweet and true
Always wanting more, he'd leave you longing for
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Every word of every song that he sang was for you
In a flash he was gone, it happened so soon, what could you do?
(Solo)
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
If you please, if you please, if you please
Here are the lyrics (according to Songfacts, it's about Elvis Presley, but I thought it was refering to black men in the South, or an African American man she knew -- wishful thinking):
Mississippi in the middle of a dry spell
Jimmy Rogers on the Victrola up high
Mama's dancin' with baby on her shoulder
The sun is settin' like molasses in the sky
The boy could sing, knew how to move, everything
Always wanting more, he'd leave you longing for
Chorus:
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Up in Memphis the music's like a heatwave
White lightening, bound to drive you wild
Mama's baby's in the heart of every school girl
"Love me tender" leaves 'em cryin' in the aisle
The way he moved, it was a sin, so sweet and true
Always wanting more, he'd leave you longing for
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Every word of every song that he sang was for you
In a flash he was gone, it happened so soon, what could you do?
(Solo)
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
Black velvet and that little boy's smile
Black velvet with that slow southern style
A new religion that'll bring ya to your knees
Black velvet if you please
If you please, if you please, if you please
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