THE BLACK LIST 2008: Top Screenplays - Nikki Finke’s Deadline Hollywood Daily

Nikki Finke’s Deadline Hollywood Daily » THE BLACK LIST 2008: Top Screenplays: “67 Mentions (First Place)
THE BEAVER by Kyle Killen

61 Mentions
THE ORANGES by Jay Reiss & Ian Helfer

44 Mentions
BUTTER by Jason Micallef

42 Mentions
BIG HOLE by Michael Gilio

40 Mentions
THE LOW DWELLER by Brad Ingelsby

39 Mentions
FUCKBUDDIES by Liz Meriwether

34 Mentions
WINTER’S DISCONTENT by Paul Fruchbom

29 Mentions
BROKEN CITY by Brian Tucker

24 Mentions
I’M WITH CANCER by Will Reiser

22 Mentions
OUR BRAND IS CRISIS by Peter Straughan

21 Mentions
INGLORIOUS BASTERDS by Quentin Tarantino

20 Mentions
UNTITLED VANESSA TAYLOR PROJECT by Vanessa Taylor

16 Mentions
GALAHAD by Ryan Condal
THE WEST IS DEAD by Andrew Baldwin

15 Mentions
MANUSCRIPT by Paul Grellong
THE TUTOR by Matthew Fogel

14 Mentions
THE DESCENDANTS by Nat Faxon & Jim Rash
SUNFLOWER by Misha Green
GOING THE DISTANCE by Geoff LaTulippe

13 Mentions
THE AMERICAN WAY by Brian Kistler
NOWHERE BOY by Matt Greenhalgh
RAINDROPS ALL AROUND ME by Reed Agnew & Eli Jorne
SEQUELS, REMAKES & ADAPTATIONS by Sam Esmail

12 Mentions
A COUPLE OF DICKS by Mark Cullen & Robb Cullen
GAY DUDE by Alan Yang
THE MANY DEATHS OF BARNABY JAMES by Brian Nathanson
UNDERAGE by Scott Neustadter & Michael Weber

11 Mentions
CODE NAME VEIL by Matt Billingsley
EVERYTHING MUST GO by Dan Rush
THE FOURTH KIND by Olatunde Osunsanmi
FOXCATCHER by E Max Frye & Dan Futterman
THE PHANTOM LIMB by Kevin Koehler

10 Mentions
THE APOSTLES OF INFINITE LOVE by Victoria Strouse
THE F-WORD by Elan Mastai
UP IN THE AIR by Jason Reitman

9 Mentions
BACHELORETTE by Leslye Headland
JONNY QUEST by Dan Mazeau
THE KARMA COALITION by Shawn Christensen
KEIKO by Elizabeth Wright Shapiro
KNIGHTS by Nick Confalone & Neal Dusedau
TWENTY TIMES A LADY by Gabrielle Allan & Jennifer Crittenden

8 Mentions
CLEAR WINTER NOON by John Kolvenbach
FIERCE INVALIDS HOME FROM HOT CLIMATES by Eric Aronson
ROUNDTABLE by Brian K Vaughan

7 Mentions
THE AMAZING ADVENTURES OF THE MONOGAMOUS DUCK by Neeraj Katyal
THE GARY COLEMAN –EMMANUEL LEWIS PROJECT by Dan Fogelman
THE LAYMAN’S TERMS by Jeremy Bailey
THE MALLUSIONIST by Robbie Pickering & JaceRicci
PLAN B by Kate Angelo
WHAT IS LIFE WORTH? By Max Borenstein

6 Mentions
ACOD: ADULT CHILDREN OF DIVORCE by Ben Karlin & Stu Zicherman
BAD TEACHER by Lee Eisenberg & Gene Stupnitsky
THE BIRTHDAY PARTY by Charles Randolph
CHILD 44 by Richard Price
EASY A by Bert Royal
GIANTS by Eric Nazarian
GRAND THEFT AUTO by Jason Dean Hall
HELP ME SPREAD GOODNESS by Mark Friedman
INFERNO: A LINDA LOVELACE STORY by Matt Wilder
LONDON BOULEVARD by William Monahan
MEMOIRS by Will Fetters
SHRAPNEL by Evan Daugherty
YOUR DREAMS SUCK by Kat Dennings & Geoffrey Litwak

5 Mentions
AFTER HAILEY by Scott Frank
THE BLADE ITSELF by Aaron Stockard
BROTHERHOOD OF THE ROSE by Adam Cozad
FRESHLY POPPED by Megan Parsons
GAZA by Frank Deasy
GREETINGS FROM JERRY by John Killoran
GROWN MAN BUSINESS by Justin Britt-Gibson
THE HERETIC by Javier Rodriguez
HOW TO BE GOOD by Cindy Chupack
MAN OF CLOTH by Josh Zetumer
SLEEPING BEAUTY by Julia Leigh
THE SPELLMAN FILES by Bobby Florsheim & Josh Stolberg
STOP HUNTINGDON ANIMAL CRUELTY by Adam Sachs
A TALE OF TWO CITIES by Beau Willimon
UNLOCKED by Peter O’Brien
WHAT WOULD KENNY DO? by Chris Baldi
THE ZERO by Stephen Chin

4 Mentions
RONIN by Chris Morgan
BALLAD OF THE WHISKEY ROBBER by Rich Wilkes
THE BEAUTIFUL AND THE DAMNED by Hanna Weg
A BITTERSWEET LIFE by Mark L Smith
BOBBIE SUE by Russell Sharman, Owen Egerton, & Chris Mass
BOBISM by Ben Wexler
DEADLINE by Soo Hugh
THE DEBT by Jane Goldman & Matthew Vaughn
THE ENDS OF THE EARTH by Chris Terrio
HEARTSTOPPER by Dan Antoniazzi & Ben Shiffrin
THE HOW-TO GUIDE FOR SAVING THE WORLD by BenDavid Grabinski
I KILLED BUDDY CLOY by Nick Garrison & Chase Pletts
JAR CITY by Michael Ross
A LITTLE SOMETHING FOR YOUR BIRTHDAY by Susan Walter
THE MOST ANNOYING MAN IN THE WORLD by Kevin Kopelow & Heath Seifert
MOTORCADE by Billy Ray
THE MURDERER AMONG US by Lori Gambino
ONCE UPON A TIME IN HELL by Brian McGreevy & Lee Shipman
SAMURAI by Fernley Phillips
THE SCAVENGERS by Nate Edelman
SERIAL KILLER DAYS by Mark Carter
SHERLOCK HOLMES by Tony Peckham
SWINGLES by Duncan Birmingham & Jeff Roda
‘TIL BETH DO US PART by Jon Hurwitz & Hayden Schlossberg
UNTITLED CHANNING TATUM PROJECT by Doug Jung”

Kim Masters - Hollywood Beat Reporter Cut From NPR - Nikki Finke’s Deadline Hollywood Daily

Nikki Finke’s Deadline Hollywood Daily » Hollywood Beat Reporter Cut From NPR: Nikke Finke reports that Kim Masters of NPR lost her job covering Hollywood

Nikki Finke’s Deadline Hollywood Daily » First Day ‘Dark Knight’ DVD Sales Break Record: Certain To Smash ALL Records

Nikki Finke’s Deadline Hollywood Daily » First Day ‘Dark Knight’ DVD Sales Break Record: Certain To Smash ALL Records: “I just heard that Warner Bros' Batman Blu-ray discs alone sold 600,000 copies on Tuesday, the first day of release. By contrast, Marvel/Paramount's Iron Man sold 250,000 Blu-ray discs when it premiered on September 30th and ended up selling 400,000 Blu-ray units in its first week. But wait til you see what The Dark Knight sold in both formats, standard def and hi-def: 3 million copies bought by customers in the U.S., Canada and the UK on its first day in stores. That's 3x the norm. This isn't a superhero, it's a cash cow! The Dark Knight was not only 2008's best DVD sales day, but is also likely to be 2008's bestseller of the year by next week with a projected number of 7 million units. This is beyond huge! Christopher Nolan's pic is truly the gift that keeps on giving after already making $1 billion at the worldwide box office.”

66th Annual Golden Globe Nominations - Nikki Finke’s Deadline Hollywood Daily

Nikki Finke’s Deadline Hollywood Daily » 66th Annual Golden Globe Nominations: “HOLLYWOOD FOREIGN PRESS ASSOCIATION 2008 GOLDEN GLOBE AWARDS NOMINATIONS

BEST MOTION PICTURE – DRAMA
THE CURIOUS CASE OF BENJAMIN BUTTON
Warner Bros and Paramount Pictures
FROST/NIXON
Imagine Entertainment, Working Title, Studio Canal; Universal Pictures
THE READER
Mirage Enterprises; The Weinstein Company
REVOLUTIONARY ROAD
An Evamere Entertainment BBC Films Neal Street Production; DreamWorks with BBC Films and Paramount Vantage
SLUMDOG MILLIONAIRE
Fox Searchlight Pictures and Warner Bros.; Fox Searchlight Pictures and Warner Bros.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
ANNE HATHAWAY, RACHEL GETTING MARRIED
ANGELINA JOLIE, CHANGELING
MERYL STREEP, DOUBT
KRISTIN SCOTT THOMAS, I'VE LOVED YOU SO LONG (IL Y A LONGTEMPS QUE JE T’AIME)
KATE WINSLET, REVOLUTIONARY ROAD
 
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
LEONARDO DICAPRIO, REVOLUTIONARY ROAD
FRANK LANGELLA, FROST/NIXON
SEAN PENN, MILK
BRAD PITT, THE CURIOUS CASE OF BENJAMIN BUTTON
MICKEY ROURKE, THE WRESTLER

BEST MOTION PICTURE – COMEDY OR MUSICAL
BURN AFTER READING
Working Title/Releasing Company; Focus Features in association with Studio Canal
HAPPY-GO-LUCKY
Summit Entertainment, Film4, Ingenious Film Partners, Miramax Films; Miramax Films
IN BRUGES
Blueprint Pictures; Focus Features
MAMMA MIA!
Relativity Media, Playtone, Littlestar; Universal Pictures
VICKY CRISTINA BARCELONA
Mediapro; The Weinstein Company

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
REBECCA HALL, VICKY CRISTINA BARCELONA
SALLY HAWKINS, HAPPY-GO-LUCKY
FRANCES MCDORMAND, BURN AFTER READING
MERYL STREEP, MAMMA MIA!
EMMA THOMPSON, LAST CHANCE HARVEY

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
JAVIER BARDEM, VICKY CRISTINA BARCELONA
COLIN FARRELL, IN BRUGES
JAMES FRANCO, PINEAPPLE EXPRESS
BRENDAN GLEESON, IN BRUGES
DUSTIN HOFFMAN, LAST CHANCE HARVEY

BEST ANIMATED FEATURE FILM
BOLT
Walt Disney Pictures; Walt Disney Studios Motion Pictures
KUNG FU PANDA
DreamWorks Animation SKG; Paramount Pictures
WALL-E
Walt Disney Pictures and Pixar Animation Studios; Walt Disney Studios Motion Pictures

BEST FOREIGN LANGUAGE FILM
THE BAADER MEINHOF COMPLEX (GERMANY)
(DER BADDER MEINHOF KOMPLEX)
Constantin Film Produktion GmbH; Summit Entertainment, LLC
EVERLASTING MOMENTS (SWEDEN/DENMARK)
(MARIA LARSSONS EVIGA ÖGONBLICK)
Final Cut Productions Aps; IFC Films
GOMORRAH (ITALY)
(GOMORRA)
Fandango; IFC Films
I'VE LOVED YOU SO LONG (FRANCE)
(IL Y A LONGTEMPS QUE JE T’AIME)
UGC YM/UGC Images/France 3 Cinema/Integral Film; Sony Pictures Classics
WALTZ WITH BASHIR (ISRAEL)
Bridgit Folman Film Gang/Les Films D'Ici/Razor Films/Arte France/ITVS International; Sony Pictures Classics
 
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
AMY ADAMS, DOUBT
PENELOPE CRUZ, VICKY CRISTINA BARCELONA
VIOLA DAVIS, DOUBT
MARISA TOMEI, THE WRESTLER
KATE WINSLET, THE READER

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
TOM CRUISE , TROPIC THUNDER
ROBERT DOWNEY JR, TROPIC THUNDER
RALPH FIENNES, THE DUCHESS
PHILIP SEYMOUR HOFFMAN, DOUBT
HEATH LEDGER, THE DARK KNIGHT

BEST DIRECTOR – MOTION PICTURE
DANNY BOYLE, SLUMDOG MILLIONAIRE
STEPHEN DALDRY, THE READER
DAVID FINCHER, THE CURIOUS CASE OF BENJAMIN BUTTON
RON HOWARD, FROST/NIXON
SAM MENDES, REVOLUTIONARY ROAD

BEST SCREENPLAY – MOTION PICTURE
SIMON BEAUFOY, SLUMDOG MILLIONAIRE
DAVID HARE, THE READER
PETER MORGAN, FROST/NIXON
ERIC ROTH, THE CURIOUS CASE OF BENJAMIN BUTTON
JOHN PATRICK SHANLEY, DOUBT

BEST ORIGINAL SCORE – MOTION PICTURE
ALEXANDRE DESPLAT, THE CURIOUS CASE OF BENJAMIN BUTTON
CLINT EASTWOOD,  CHANGELING
JAMES NEWTON HOWARD, DEFIANCE
A. R. RAHMAN, SLUMDOG MILLIONAIRE
HANS ZIMMER, FROST/NIXON

BEST ORIGINAL SONG – MOTION PICTURE
“DOWN TO EARTH” — WALL-E
Music by:  Peter Gabriel, Thomas Newman
Lyrics by:  Peter Gabriel
 “GRAN TORINO” — GRAN TORINO
Music by:  Clint Eastwood, Jamie Cullum, Kyle Eastwood, Michael Stevens
Lyrics by:  Kyle Eastwood, Michael Stevens
“I THOUGHT I LOST YOU” — BOLT
Music & Lyrics by:  Miley Cyrus, Jeffrey Steele
“ONCE IN A LIFETIME” — CADILLAC RECORDS
Music & Lyrics by:  Beyoncé Knowles, Amanda Ghost, Scott McFarnon, Ian Dench, James Dring, Jody Street
“THE WRESTLER” — THE WRESTLER
Music & Lyrics by:  Bruce Springsteen

BEST TELEVISION SERIES – DRAMA
DEXTER (SHOWTIME)
Showtime/John Goldwyn Productions/The Colleton Company/Clyde Phillips Productions
HOUSE (FOX)
Universal Media Studios in association with Heel and Toe Films, Shore Z Productions and Bad Hat Harry Productions
IN TREATMENT (HBO)
Sheleg, Closest to the Hole Productions in association with HBO Entertainment
MAD MEN (AMC)
Lionsgate Television
TRUE BLOOD (HBO)
Your Face Goes Here Productions in association with HBO Entertainment

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
SALLY FIELD            BROTHERS AND SISTERS
MARISKA HARGITAY        LAW AND ORDER: SPECIAL VICTIMS UNIT
JANUARY JONES            MAD MEN
ANNA PAQUIN            TRUE BLOOD
KYRA SEDGWICK            THE CLOSER

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
GABRIEL BYRNE            IN TREATMENT
MICHAEL C. HALL         DEXTER
JON HAMM                MAD MEN
HUGH LAURIE            HOUSE
JONATHAN RHYS MEYERS     THE TUDORS

BEST TELEVISION SERIES – COMEDY OR MUSICAL
30 ROCK (NBC)
Universal Media Studios in association with Broadway Video and Little
Stranger Inc.
CALIFORNICATION (SHOWTIME)
Showtime Presents in association with Aggressive Mediocrity, And Then...
ENTOURAGE (HBO)
Leverage and Closest to the Hole Productions in association with HBO Entertainment
THE OFFICE (NBC)
Deedle Dee Productions, Reveille LLC, Universal Media Studios
WEEDS (SHOWTIME)
Lionsgate Television

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
CHRISTINA APPLEGATE        SAMANTHA WHO?
AMERICA FERRERA        UGLY BETTY
TINA FEY                30 ROCK
DEBRA MESSING            THE STARTER WIFE
MARY-LOUISE PARKER        WEEDS

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
ALEC BALDWIN            30 ROCK    
STEVE CARELL            THE OFFICE
KEVIN CONNOLLY        ENTOURAGE
DAVID DUCHOVNY        CALIFORNICATION
TONY SHALHOUB            MONK

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
A RAISIN IN THE SUN (ABC)
Sony Pictures Television
BERNARD AND DORIS (HBO)
Trigger Street Independent Productions in association with Little Bird and Chicago Films and HBO Films
CRANFORD (PBS)
A Co-Production of BBC and WGBH Boston.
JOHN ADAMS (HBO)
Playtone in association with HBO Films
RECOUNT (HBO)
Spring Creek/Mirage Productions in association with Trigger Street Productions, Everyman Pictures and HBO Films

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
JUDI DENCH            CRANFORD
CATHERINE KEENER        AN AMERICAN CRIME
LAURA LINNEY            JOHN ADAMS
SHIRLEY MACLAINE        COCO CHANEL
SUSAN SARANDON         BERNARD AND DORIS

BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
RALPH FIENNES            BERNARD AND DORIS
PAUL GIAMATTI            JOHN ADAMS
KEVIN SPACEY            RECOUNT
KIEFER SUTHERLAND        24: REDEMPTION
TOM WILKINSON            RECOUNT

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TV
EILEEN ATKINS            CRANFORD
LAURA DERN            RECOUNT
MELISSA GEORGE        IN TREATMENT
RACHEL GRIFFITHS        BROTHERS AND SISTERS
DIANNE WIEST            IN TREATMENT

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURES MADE FOR TV
NEIL PATRICK HARRIS, HOW I MET YOUR MOTHER
DENIS LEARY, RECOUNT
JEREMY PIVEN, ENTOURAGE
BLAIR UNDERWOOD, IN TREATMENT
TOM WILKINSON, JOHN ADAMS”

Valleywag's Owen Thomas On Yahoo's Collapse

Valleywag, Silicon Valley's Tech Gossip Rag: “Everything takes forever at Yahoo, the once high-flying, now famously sluggish Internet giant. Today's layoffs of 1,500 employees have been expected for months. And yet the strange thing is so many Yahoos seem unprepared”

Entertainment Weekly Considering Going Online-Only? - Gawker

Rumormonger: Entertainment Weekly Considering Going Online-Only?: “We've heard from multiple sources that the idea of going online-only is being seriously considered by the leadership of Entertainment Weekly. And it wouldn't be a bad idea.”

-- I agree.

Why Are Newspapers Dying? - O'Reilly Broadcast

Why Are Newspapers Dying? - O'Reilly Broadcast: “The emergence of the Internet proved newspapers' most challenging competitor, and the one that ultimately may have managed to do the newspaper industry in altogether. Most newspapers, from the veritable New York times on down, launched their own websites, reasoning that this was simply another medium in which to publish their own writers, but this viewpoint may have been somewhat shortsighted.

In 2003, the term blog first entered into the modern lexicon, an online editorial or journal written not by professional journalists but by eager amateurs who could publish by overcoming a far smaller barrier to entry - setting up a blogging site. With contemporary tools, the blogger could effectively start producing his or her own "news" within a few hours, and if they happened to be reasonably competent, were willing to invest some time into promotion and consistent in publishing content, they had a good chance to gain more "eyeballs" than professional journalists with thirty years of experience.

As of April, 2008, only three newspapers had a subscriber base in excess of 1,000,000 readers - USA Today (2.3 million), The Wall Street Journal (2.1 million) and the New York Times (1.1 million). Most newspapers average approximately 300,000 subscribers. This of course doesn't reflect total readership numbers - many papers sell a significant proportion of their subscriber levels in newsstand and library sales - but it does provide at least a basic metric for understanding the dynamics of newspaper publishing vs. the web.”

Why Are Newspapers Dying? - O'Reilly Broadcast

Why Are Newspapers Dying? - O'Reilly Broadcast: “The emergence of the Internet proved newspapers' most challenging competitor, and the one that ultimately may have managed to do the newspaper industry in altogether. Most newspapers, from the veritable New York times on down, launched their own websites, reasoning that this was simply another medium in which to publish their own writers, but this viewpoint may have been somewhat shortsighted.

In 2003, the term blog first entered into the modern lexicon, an online editorial or journal written not by professional journalists but by eager amateurs who could publish by overcoming a far smaller barrier to entry - setting up a blogging site. With contemporary tools, the blogger could effectively start producing his or her own "news" within a few hours, and if they happened to be reasonably competent, were willing to invest some time into promotion and consistent in publishing content, they had a good chance to gain more "eyeballs" than professional journalists with thirty years of experience.

As of April, 2008, only three newspapers had a subscriber base in excess of 1,000,000 readers - USA Today (2.3 million), The Wall Street Journal (2.1 million) and the New York Times (1.1 million). Most newspapers average approximately 300,000 subscribers. This of course doesn't reflect total readership numbers - many papers sell a significant proportion of their subscriber levels in newsstand and library sales - but it does provide at least a basic metric for understanding the dynamics of newspaper publishing vs. the web.”

Malcolm Bricklin On Hybrid Cars, Auto Bailout and The Car Czar

On CNN

If you've ever sen the car in the video it's called the Bricklin SV-1 and was made between 1974 and 1976. It's maker is Malcolm Bricklin, an American Entrepreneur. Bricklin brought Suburu to America from Japan, as well as Fiat X1-9, and the Yugo.

In the 90s he turned his attention to making environmentally friendly vehicles, making an electric bike called The EV Warrior.

Today, Bricklin is combining his experience with fuel cell technology and his knoweldge of manufacturing techniques and economics to create a line of plug - in hybrid vehicles or PHEVs, which he says can be installed in your car right now, making it more gas efficient.

I sat down with Bricklin at the San Francisco screening of "The Entrepreneur" , a movie about him. In our talk, he revealed that he got a call that morning to be the President-Elect's "Car Czar", a job he turned down. He explained why.

"The person in that job would be cutting (jobs), and that's not me; I grow things," he said.

Bricklin also says the Auto Bailout passed of $15 billion "Is not enough" and says the companies need much more money. But he alos says something shocking: that the money will not result in the maintenance of jobs. That's the most alarming news of the day.

See Visionary Vehicles

YouTube Videos Pull In Real Money - NYTimes.com

YouTube Videos Pull In Real Money - NYTimes.com: “Making videos for YouTube — for three years a pastime for millions of Web surfers — is now a way to make a living.

One year after YouTube, the online video powerhouse, invited members to become “partners” and added advertising to their videos, the most successful users are earning six-figure incomes from the Web site. For some, like Michael Buckley, the self-taught host of a celebrity chatter show, filming funny videos is now a full-time job.

Mr. Buckley quit his day job in September after his online profits had greatly surpassed his salary as an administrative assistant for a music promotion company. His thrice-a-week online show “is silly,” he said, but it has helped him escape his credit-card debt.”

Rod Blagojevich, Jesse Jackson Jr, and Tony Soprano

llinois Gov. Rod Blagojevich has been indicted for ethics violations connected with a string of actions, including attempting to sell the now vacant Senate seat held by President-Elect Barack Obama. Of the persons considered for the seat, it's reported that Senator #5 offered to raise over a million dollars for the Governor -- it's rumored that the person is Illinois Congressman Jesse Jackson, Jr.

Jackson moved swiftly to address this issue, holding a press conference where he said that he did meet with the Governor, and for 90 minutes. But he did not offer anything in the way of money. That press conference is here.