I found this book today, and while looking for something entirely different. But given the recent controversy over racism's consideration as an official mental illness and the Sydney Riots, I thought this was very appropriate. I hope others see this.
Racism and Mental Health
Charles V. Willie
Bernard M. Kramer
Bertram S. Brown
@1973, University of Pittsburgh Press
The forward of the book reads that "discrimination based on race, creed, color, sex, and national origin interferes with opportunities for individual expression by some and blinds others to their normal obligations. There is no health in a society afflicted by racism and discrimination."
In the chapter "Racism and Mental Health as a Field of Thought and Action" Bernard Kramer states that "mental health professional react in one manner to racism in general and in other to racism in mental health. They tend to finesse the question of race." He contends that mental health has ignored or underplayed racial aspects of the field, and gives examples to demonstrate this, pointing to a then-widely-used textbook in the field and stating that of 1,631 pages, not one concerns the topic of race or racism. He presents other evidence as well.
The book also presents a kind of history of racism and mental health and provides "definitions of mental disorder in a racist society." Before I elaborate on that, I must present what the authors give as "the essence of racism," which "lies in a relatively constant pattern of prejudice and discrimination between one party who is idealized and favored and another who is devalued and exploited in a common relationship" (p.61).
That is in a racist relationship there can't be an equality of roles, and has not been -- they basically state that relationships between whites and people of color have been imbalanced. They also go on to give other examples of similar relationships: male and female, and management and labor. "When racism is defined this broadly," Mr. Pinderhughes writes," it can be viewed as a characteristic of human nature that may be employed for constructive or destructive purposes.
The Negative Impact of Racism on African American Mental Health
The authors discuss how a declining yet historic fear among African Americans regarding seeking psychiatric treatment for the impact of racism may result in paranoid social behavior.
There is one chapter called "Racism and the Mental Heath of White Americans" which suggests that it's a form of paranoia, where a person believes that the lesser group either receives a special benefit, or is lazy, or will kill them, and so on. Thomas Pettigrew writes that "the highly prejudiced less often possess positive mental health than others," (p.292) and that there's a relationship between mental health and authoritarianism such that "it may not be possible to manifest an extreme degree of authoritarianism without being psychologically maladjusted."
The point of this is that racism has been linked to negative mental health for several decades -- it's not as new as the recent news would suggest. But considering the wealth of date and evidence, it is amazing that racism still is not officially considered a mental illness.
Sunday, December 18, 2005
Friday, December 16, 2005
Randal wins "The Apprentice" but asked to share title? Now, if he were white...
I've got to admit that I'm tired of adjustments and exceptions being made whenever an African American male is clearly the best at something. Here's another example... (You can read the full story with a click on the link title post).
MSNBC
Updated: 2:26 p.m. ET Dec. 16, 2005
Thursday night, the fourth edition of "The Apprentice" came to an end, but the controversy has just begun.
Randal was a star from the beginning, and it was no surprise when Donald Trump offered him the job as his latest Apprentice. What was a little surprising was what happened next: As he had hinted he'd do all night long, Trump seemed ready to hire both Rebecca and Randal for different jobs in his organization. Yet when he asked Randal for his opinion, the winner quickly stated that he felt there should be only one Apprentice. And in a most un-Trumplike move, the billionaire went along with his newest hire's decision.
Everyone can agree that's what happened. But no one can agree on anything else. Many think race was a factor: Randal is Trump's first African-American "Apprentice," and some thought Trump was racially biased in asking him to not be the only "Apprentice" when none of the other winners, who were all white, held the title alone. Some pointed out that the first finale was also between a white and an African-American contender, yet when a white man, Bill, won, he wasn't asked his opinion about also hiring African-American Kwame.
Thursday, December 15, 2005
"King Kong" Upsets Oscar Best Picture Race - Brokeback Prediction Premature - Golden Globes Screws Up
Before King Kong's release, many were picking "Brokeback Mountain" as the possible winner of the Oscar "Best Picture" race as we approach the March 5th Academy Awards.
But now, there's a view that Brokeback may go the way of "Sideways" -- much talked about, but not the winner.
If Peter Jackson's everyone's selection for Best Director, then Academy history backs the selection of King Kong as best picture. If that happens, it will be the first film in 30 years not to receive a Golden Globe nod, yet win Best Picture.
The website The Envelope.com has a pole reporting that King Kong was the most neglected film in the Globes.
Bush takes responsibility for invasion intelligence
Does this mean the Downing Street Memo's are true? What wrong intelligence?
Wednesday, December 14, 2005
King Kong : A Great Example Of The Power of Film
Peter Jackson's epic remake of "King Kong" contains several scenes where the actors do stunts that you know they'd never survive in real life. But such is the amazing power of this film; you go along with all of them.
King Kong is an amazing film in many technical areas, but it manages to avoid surpressing the story for the special effects. Star Wars' creator George Lucas once said "Special effects without a story is a pretty boring thing." King Kong is certainly not that.
The audience at the midnight show of the three-hour event sat in rapt attention, as Mr. Jackson propelled us through a vast set of environments. Much positive text will be devoted to the presentation of Skull Island. But for me the real star of the show was 1933 New York. WETA has forever solved the problem of depth perception in CGI movies. The city actually feels big on screen. And every detail -- including the popular architectural and urban design features of the New York of that era -- were lovingly captured. It's still very hard for me to tell if what I saw was just a digitally animated image. It's that good.
I also enjoyed the character interplay between Jack Black's Carl Denholm and everyone else. Naomi Watts is the best emoter of any actress stuck with the difficult task of CGI work. Adrian Broady was quite right for his role as the writer Mr. Driscoll, but he could have done with one more tender moments with Ms. Darrow.
The only aspect of the film I found hard to accept was that Watt's / Darrow's fears of possibly failing thousands of feet from the Empire State Building were not activated. In real life, they would be ; it's far too windy up there! My fear of heights was certainly activated in this film, yet I knew it was all digitally produced -- someone forgot to tell my stomach.
Kong was simply wonderful both as a character and as a special effect. You do come away with some feeling for the creatures plight. But I wondered if Watts' Darrow would ever realize the futility of her relationship with the creature. It's as if she was so busy reaching out to have something she was willing to settle for the impossible.
I do recommend this movie. The only thing I'd change is the CGI work on the boats and the actors in them as they were coming away from The Venture -- their lighting was too bright and contrasty versus the digital surroundings.
And does this movie have to have an African American man (Hayes) die an early, dramatic death? Why can't he live? Why does he have to do something heroically dumb? Kong tossing him toward the rock wall made me wish I was there to tell him to stop being a hero and go hide before the gorilla gets him.
It also made me wish I had a set of hand grenades: ten would have done the trick: two for Kong and thrown in his mouth, one each for the T-rexes of which there were three, and the rest (six) to bomb the hell out of those spiders before they got to me.
Yep, with ten grenades -- and a machine gun -- I'd have survived just long enough to get off Skull Island. But the simple fact that I imagined this protection for myself speaks to the visceral impact of this great example of the power of film.
King Kong is an amazing film in many technical areas, but it manages to avoid surpressing the story for the special effects. Star Wars' creator George Lucas once said "Special effects without a story is a pretty boring thing." King Kong is certainly not that.
The audience at the midnight show of the three-hour event sat in rapt attention, as Mr. Jackson propelled us through a vast set of environments. Much positive text will be devoted to the presentation of Skull Island. But for me the real star of the show was 1933 New York. WETA has forever solved the problem of depth perception in CGI movies. The city actually feels big on screen. And every detail -- including the popular architectural and urban design features of the New York of that era -- were lovingly captured. It's still very hard for me to tell if what I saw was just a digitally animated image. It's that good.
I also enjoyed the character interplay between Jack Black's Carl Denholm and everyone else. Naomi Watts is the best emoter of any actress stuck with the difficult task of CGI work. Adrian Broady was quite right for his role as the writer Mr. Driscoll, but he could have done with one more tender moments with Ms. Darrow.
The only aspect of the film I found hard to accept was that Watt's / Darrow's fears of possibly failing thousands of feet from the Empire State Building were not activated. In real life, they would be ; it's far too windy up there! My fear of heights was certainly activated in this film, yet I knew it was all digitally produced -- someone forgot to tell my stomach.
Kong was simply wonderful both as a character and as a special effect. You do come away with some feeling for the creatures plight. But I wondered if Watts' Darrow would ever realize the futility of her relationship with the creature. It's as if she was so busy reaching out to have something she was willing to settle for the impossible.
I do recommend this movie. The only thing I'd change is the CGI work on the boats and the actors in them as they were coming away from The Venture -- their lighting was too bright and contrasty versus the digital surroundings.
And does this movie have to have an African American man (Hayes) die an early, dramatic death? Why can't he live? Why does he have to do something heroically dumb? Kong tossing him toward the rock wall made me wish I was there to tell him to stop being a hero and go hide before the gorilla gets him.
It also made me wish I had a set of hand grenades: ten would have done the trick: two for Kong and thrown in his mouth, one each for the T-rexes of which there were three, and the rest (six) to bomb the hell out of those spiders before they got to me.
Yep, with ten grenades -- and a machine gun -- I'd have survived just long enough to get off Skull Island. But the simple fact that I imagined this protection for myself speaks to the visceral impact of this great example of the power of film.
Tuesday, December 13, 2005
Stanley Williams may you rest in Heaven and God bless you
The Lord gives everyone a second chance. I struggled with writing about this, as I too would give pause to the fact that my emotions would be different if it were my family member. But that written, I don't think "an eye for an eye" is the best response.
I also wonder if this case was really well researched. In other words, what is the evidence that can show he's guilty? There were no fingerprints that could be attached to him, according to this article in the "Final Call."
If this case is reopened and he's found to be innocent, then a number of people, including the Governor, should step down from their positions.
I also wonder if this case was really well researched. In other words, what is the evidence that can show he's guilty? There were no fingerprints that could be attached to him, according to this article in the "Final Call."
If this case is reopened and he's found to be innocent, then a number of people, including the Governor, should step down from their positions.
Sydney Riot: Wake up Australia, racism is a problem
This link to an article on The Darren Lehmann case reveals a side of Austrialia not know to most Americans. It was written in 2003, and so serves as more evidence of the kind of society that would give rise to the racist riot the World saw over the weekend.
Sydney Riot: White Australia Policy - Immigration Restriction Act
Apparently this law -- click on the title link -- has been on the Austrialian books for 100 years and not repealed. As the rate of immigration has increased, some white Aussies have called for a return to the "White Austrialia Policy." Well, I'll not be visiting Sydney soon.
This is totallly sick. It's also a look into the cultural underpinnings of the rationale for the behavior of the white youths who went on their racist rampage a few days ago. Undoubtedly, their parents were the source of racist hate. Terrible.
This is totallly sick. It's also a look into the cultural underpinnings of the rationale for the behavior of the white youths who went on their racist rampage a few days ago. Undoubtedly, their parents were the source of racist hate. Terrible.
Sydney Riot: Sydney's racist mob violence spreads - news account uses word "people" but doesn't report that they're white; why?
Read this carefully. It's from a Melbourne, Austrialia newspaper called "The Age." We know that the victims are Middle Eastern, but we don't know that the attackers are white. Video accounts reveal that all of the 5,000 rioters. Why cover up that they're white?
A day of race-fuelled violence at Cronulla spread through other beachside suburbs in Sydney's south on Sunday night, with one man stabbed and at least 10 arrested.
About 5,000 people descended on Cronulla beach as mobs yelling racist chants chased down and bashed people of Middle Eastern appearance.
Police and an ambulance crew were also assaulted as racial tensions peaked.
Hopes that the violence had subsided by nightfall were dashed when, in an apparent retaliatory strike, a 23-year-old man was stabbed in the back outside a golf club at nearby Woolooware.
Two cars carrying a group of males, described by police as being of Mediterranean or Middle Eastern appearance, approached the man at about 10.25pm (AEDT) Sunday night.
Following a short conversation he was stabbed in the back, and was taken to hospital in a serious condition.
At about the same time, up to 50 carloads of youths smashed more than 100 cars with baseball bats and other weapons in the beach suburb of Maroubra.
A day of race-fuelled violence at Cronulla spread through other beachside suburbs in Sydney's south on Sunday night, with one man stabbed and at least 10 arrested.
About 5,000 people descended on Cronulla beach as mobs yelling racist chants chased down and bashed people of Middle Eastern appearance.
Police and an ambulance crew were also assaulted as racial tensions peaked.
Hopes that the violence had subsided by nightfall were dashed when, in an apparent retaliatory strike, a 23-year-old man was stabbed in the back outside a golf club at nearby Woolooware.
Two cars carrying a group of males, described by police as being of Mediterranean or Middle Eastern appearance, approached the man at about 10.25pm (AEDT) Sunday night.
Following a short conversation he was stabbed in the back, and was taken to hospital in a serious condition.
At about the same time, up to 50 carloads of youths smashed more than 100 cars with baseball bats and other weapons in the beach suburb of Maroubra.
Chris Rock not hosting 2006 Academy Awards - apparently pissed off Jude Law
Chris Rock not hosting Oscars
LOS ANGELES, California (AP) -- Chris Rock won't be back cracking wise as the host of next year's Oscars telecast.
"He is not hosting the Academy Awards," the comedian's publicist, Matt Labov, said Friday in a brief statement e-mailed to The Associated Press. He did not elaborate.
Labov told The New York Times that Rock didn't want to do the show "in perpetuity" but would "like to do it again down the road."
The 2005 telecast was Rock's first as host. He drew younger viewers, but his barbs skewering stars like Jude Law, Tobey Maguire and others alienated some members of the Academy of Motion Picture Arts and Sciences.
In one bit, Rock suggested filmmakers should wait for better talent instead of rushing bad movies into theaters.
"You want Tom Cruise and all you can get is Jude Law. Wait," Rock joked. "You want Russell Crowe and all you can get is Colin Farrell? Wait. 'Alexander' is not 'Gladiator.' "
He also poked fun at himself.
"You want Denzel (Washington) and all you can get is me? Wait," he joked.
Rock's comments prompted Sean Penn, when he took the stage later, to defend Law as "one of our finest actors."
Rock is currently producing and narrating "Everybody Hates Chris," a sitcom on UPN based on his life.
A spokesman for the Academy declined to comment about the hosting duties. Longtime Academy Awards producer Gil Cates is expected to announce his selection in the next few weeks.
Frequently mentioned candidates include four-time host Whoopi Goldberg, two-time host Steve Martin and late-night hosts Jay Leno and Conan O'Brien.
The 78th annual Academy Awards will air March 5 on ABC from Hollywood.
Some of Rock's quotes:
"It's a great night tonight. We have four black nominees. tonight. It's kinda like Def Oscar Jam tonight."
"Black movies don't have real names, they have names like Barbershop. That's not a name, that's just a location."
"Our next presenter is the first woman to ever breast-feed an Apple - Gwyneth Paltrow."
"The only acting you ever see at the Oscars is when people act like they're not mad they lost. Nicole Kidman was smiling so wide (the year Halle Berry beat her to best actress), she should have won an Emmy at the Oscars for her great performance. I was like, 'If you'd done that in the movie, you'd have won an Oscar, girl!'"
"You want Denzel and all you can get is me...wait. Denzel's a fine actor. He woulda never made Pootie Tang. Clint Eastwood's a star, OK? Tobey Maguire's just a boy in tights. You want Tom Cruise and all you can get is Jude Law? Wait! You want Russell Crowe and all you can get is Colin Farrell, wait! Alexander is not Gladiator."
Apartments unaffordable for many - Is the US headed for a depression?
It makes you wonder, considering this news.
Cost of rental housing increased faster than wages
Tuesday, December 13, 2005; Posted: 7:12 p.m. EST (00:12 GMT)
WASHINGTON (AP) -- The cost of rental housing has increased faster than wages, making it increasingly difficult for low-income families to afford even modest apartments, an advocacy group said Tuesday.
"The picture is similar to past years, but it's getting worse," said Danilo Pelletiere, research director of the National Low Income Housing Coalition.
The coalition, which advocates for more affordable housing, issues a report each year tracking rental costs in every state, county and metropolitan area in the country.
It says families should spend no more than 30 percent of their incomes on housing and utilities, a standard recognized by many housing experts. Under that standard, the coalition said it could not find a single county in the United States where a full-time worker making minimum wage could afford a one-bedroom apartment.
In reality, the report found, many low-income families spend a far larger share of their incomes on housing.
Plus, more and more jobs are being lost to the movement of production offshore, or simply eliminated due to technology. Meanwhile, some Americans allow themselves to be tricked into thinking that the problem is related to illegal immigrants, when nothing could be further from the truth.
Cost of rental housing increased faster than wages
Tuesday, December 13, 2005; Posted: 7:12 p.m. EST (00:12 GMT)
WASHINGTON (AP) -- The cost of rental housing has increased faster than wages, making it increasingly difficult for low-income families to afford even modest apartments, an advocacy group said Tuesday.
"The picture is similar to past years, but it's getting worse," said Danilo Pelletiere, research director of the National Low Income Housing Coalition.
The coalition, which advocates for more affordable housing, issues a report each year tracking rental costs in every state, county and metropolitan area in the country.
It says families should spend no more than 30 percent of their incomes on housing and utilities, a standard recognized by many housing experts. Under that standard, the coalition said it could not find a single county in the United States where a full-time worker making minimum wage could afford a one-bedroom apartment.
In reality, the report found, many low-income families spend a far larger share of their incomes on housing.
Plus, more and more jobs are being lost to the movement of production offshore, or simply eliminated due to technology. Meanwhile, some Americans allow themselves to be tricked into thinking that the problem is related to illegal immigrants, when nothing could be further from the truth.
Monday, December 12, 2005
Dreamworks Business Model Fails - Studio Purchased By Paramount for $1 billion
Dreamworks SKG -- the studio that produced the great movie "American Beauty" -- was purchased by Viacom / Paramount for just north of $1 billion.
"When Steven, Jeffrey and I started the company and had to put an entire infrastructure together from day one, we had hoped to be able to make enough films to rationalize the cost of being our own distributor," David Geffen -- the "G" in SKG said Sunday."
I wonder if this would not have been the case, had Dreamworks concentrated on producing very low budget movies of up to $1 milllion, each.
"When Steven, Jeffrey and I started the company and had to put an entire infrastructure together from day one, we had hoped to be able to make enough films to rationalize the cost of being our own distributor," David Geffen -- the "G" in SKG said Sunday."
I wonder if this would not have been the case, had Dreamworks concentrated on producing very low budget movies of up to $1 milllion, each.
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