Hayward, California and Calpine will have the first the plant with a Greenhouse Gas limit, ending years of talks, battles, and controversy. The Bay Area Air Quality Management District approved a "Prevention of Significant Deterioration (PSD) permit" which is the final federal regulatory approval needed for the Calpine energy plant to be built.
"Once again California is demonstrating leadership on greenhouse gas related issues. We applaud the BAAQMD and Calpine for going beyond existing federal law and being the first in the nation to require an enforceable greenhouse gas limit," said Linda Adams, California State Secretary for Environmental Protection. "This action furthers efforts at a statewide level to balance our economic needs while meeting our environmental challenges. Aggressive and early action like this is needed to fight global warming and is critical to our economic recovery."
Hayward, California will get a new energy plant that will result in 650 union construction jobs, a number of part-time and permanent jobs, and an estimated $30 million in one-time tax revenue and $5 million annually in property tax revenue.
This is a project I've long advocated for because we have never seen a plant that was created from the start with a Federal Greenhouse Gas Limit. The Calpine Russell City Energy Center will be a supplier of energy and jobs to the San Francisco Bay Area.
The approval ends a process that saw the California Energy Commission grant a license for the plant in September 2007, California Public Utilities Commission approval of a 10-year power purchase agreement in April 2009 under which PG&E will purchase the electricity generated by the plant, and a major public hearing on the plan on September 2, 2009:
But what's more, the natural gas powered plant will reportedly use 100 percent reclaimed water from the City of Hayward’s Water Pollution Control Facility for cooling and boiler makeup. The process conserves water and prevents nearly four million gallons of wastewater per day from being dumped into San Francisco Bay.
It's also a process that was first used on a major scale at Walt Disney World in Florida, when its power plant systems were built.
Calpine reports that Russell City Energy Center also will donate $10 million to help build a new library for Hayward.
Stay tuned.
Thursday, February 04, 2010
Wednesday, February 03, 2010
Draeger Construction Set to Help Haiti
Draeger Construction is going on a big push to let everyone know it's involved in Haiti. The earthquake damaged country has a problem in that many of its buildings were far less than quake safe.
Now, faced with what could be the largest private construction project in the World, Haiti needs to remake its country. That's where Draeger Construction comes in.
Draeger Construction is a San Francisco Bay Area builder. The SF Bay Area is one of the World's most active quake zones. What Draeger Construction will do, with the introduction of something called "The Freedom Builders Initiative" is announce their interest in rebuilding Haiti where they've already been involved for years.
More on Draeger Construction's new Haiti "FBI" effort soon.
Posted by Cat of SomeRedCat.tumblr.com
Now, faced with what could be the largest private construction project in the World, Haiti needs to remake its country. That's where Draeger Construction comes in.
Draeger Construction is a San Francisco Bay Area builder. The SF Bay Area is one of the World's most active quake zones. What Draeger Construction will do, with the introduction of something called "The Freedom Builders Initiative" is announce their interest in rebuilding Haiti where they've already been involved for years.
More on Draeger Construction's new Haiti "FBI" effort soon.
Posted by Cat of SomeRedCat.tumblr.com
ESPN robs Cal Football on National Signing Day with sloppy work
According to Rivals.com, The University of California had the 11th best recruiting class in America on National Signing Day, but to read ESPN, you'd think Cal did totally nothing.
There's no mention of the switch Keenan Allen, the nation's best defensive back, made from Alabama to Cal. But what's weird about ESPN's post rankinga by Tom Luginbill is that he states "One way to climb in the ranking is to surprisingly land an impact player."
Keenan Allen is just that, which makes ESPN's work on National Signing Day questionable at best. Or maybe Rivals.com just does a better job of giving justifiable data on players signed by colleges.
And they don't make mistakes. Keenan Allen's ranked as the best DB in the USA but ESPN reports Cal did not sign a five-star player. Keenan Allen is just that.
This is an outrage. Rankings on signing day are the way America knows how well college football programs are doing. They help command alumni donor dollars and sell season tickets. What ESPN did was borderline criminal. I wonder if ESPN's Tom Luginbill is punishing Allen and Cal because Allen snubbed Alabama? And if that's the case, why does Luginbill care?
Keenan Allen is a five-star player. Scout.com and Rivals.com say so; ESPN has no reason to go against them and others and should explain its answers. ESPN has the bigger broadcasting reach so it should handle National Signing Day more responsibly.
This must be explained.
Stay tuned.
There's no mention of the switch Keenan Allen, the nation's best defensive back, made from Alabama to Cal. But what's weird about ESPN's post rankinga by Tom Luginbill is that he states "One way to climb in the ranking is to surprisingly land an impact player."
Keenan Allen is just that, which makes ESPN's work on National Signing Day questionable at best. Or maybe Rivals.com just does a better job of giving justifiable data on players signed by colleges.
And they don't make mistakes. Keenan Allen's ranked as the best DB in the USA but ESPN reports Cal did not sign a five-star player. Keenan Allen is just that.
This is an outrage. Rankings on signing day are the way America knows how well college football programs are doing. They help command alumni donor dollars and sell season tickets. What ESPN did was borderline criminal. I wonder if ESPN's Tom Luginbill is punishing Allen and Cal because Allen snubbed Alabama? And if that's the case, why does Luginbill care?
Keenan Allen is a five-star player. Scout.com and Rivals.com say so; ESPN has no reason to go against them and others and should explain its answers. ESPN has the bigger broadcasting reach so it should handle National Signing Day more responsibly.
This must be explained.
Stay tuned.
Demar Dorsey, snubs Florida State for Michigan on signing day
Star high school players Demar Dorsey and Christian Green go to Michigan and to Florida State on National Signing Day, pushing Florida State to the rank of best recruiting class in the country while being snubbed at the same time.
Coming off a season which saw the loss of legendary Head Coach Bobby Bowden to retirement, Florida State came back strong with Demar Dorsey and Christian Green, but then Dorsey switched today. Demar Dorsey is a Miami Boyd Anderson star defensive back who decided he was more comfortable away from home. But I think there's something more to this unprecedented wave of big school snubs that I will explore later.
Christian Green was penciled in at Georgia, but then dropped the Dawgs for Florida State. And Georgia feels like it's being picked clean: Da'Rick Rogers dumped them for Tennessee and DB Nickell Robey was reportedly headed to USC.
More on this crazy National Signing Day. Stay tuned.
Coming off a season which saw the loss of legendary Head Coach Bobby Bowden to retirement, Florida State came back strong with Demar Dorsey and Christian Green, but then Dorsey switched today. Demar Dorsey is a Miami Boyd Anderson star defensive back who decided he was more comfortable away from home. But I think there's something more to this unprecedented wave of big school snubs that I will explore later.
Christian Green was penciled in at Georgia, but then dropped the Dawgs for Florida State. And Georgia feels like it's being picked clean: Da'Rick Rogers dumped them for Tennessee and DB Nickell Robey was reportedly headed to USC.
More on this crazy National Signing Day. Stay tuned.
Cal's Tosh Lupoi credited with getting Keenan Allen to Cal from Alabama
Ask how the University of California managed to get the nation's best defensive back Keenan Allen to commit to Cal, when as recently as at the Shrine Game Allen was all set to go to Alabama, and ESPN will point to Tosh Lupoi.
Lupoi's Cal's second year defensive coach and 2005 Cal graduate, is considered an ace recruiter and has the numbers to prove it. Lupoi's landed six commitments, two of them, including Allen, are five-star players. (The other was defensive end Chris Martin in 2009 who put down Notre Dame for Cal.).
In addition to Allen, Lupoi basically mined the state of North Carolina. Cal landed QB Zach Maynard, Keenan Allen , and Linebacker Chris McCain. All from Greensboro, NC.
As I write this, Coach Tedford's holding his press conference, which you can view live here:
Tosh Lupoi (BearInsider photo)
Lupoi's Cal's second year defensive coach and 2005 Cal graduate, is considered an ace recruiter and has the numbers to prove it. Lupoi's landed six commitments, two of them, including Allen, are five-star players. (The other was defensive end Chris Martin in 2009 who put down Notre Dame for Cal.).
In addition to Allen, Lupoi basically mined the state of North Carolina. Cal landed QB Zach Maynard, Keenan Allen , and Linebacker Chris McCain. All from Greensboro, NC.
As I write this, Coach Tedford's holding his press conference, which you can view live here:
National Signing Day: Cal Football gets Keenan Allen, best defensive back in USA.
Not to be outdone by its San Francisco Bay Area NCAA college football rivals The Stanford Cardinal, the University of California has formed what Rivals.com calls the 11th best recruiting class in America and got the best defensive back in the country.
The star of the class is Keenan Allen, a 6-3 195 lbs defensive back from Greensboro, NC. He' considered the best defensive back in America by Rivals.com and is the fifth best player in the country. Allen runs a 4.56 40 and is described as a tall, rangy athlete with the moves of a jungle cat.
Keenan Allen dropped the Alabama Crimson Tide to sign with Cal. Here' a video on Allen:
More soon on Allen's jump from Alabama to Cal.
The star of the class is Keenan Allen, a 6-3 195 lbs defensive back from Greensboro, NC. He' considered the best defensive back in America by Rivals.com and is the fifth best player in the country. Allen runs a 4.56 40 and is described as a tall, rangy athlete with the moves of a jungle cat.
Keenan Allen dropped the Alabama Crimson Tide to sign with Cal. Here' a video on Allen:
More soon on Allen's jump from Alabama to Cal.
National Signing Day 2010: Stanford lands 4th best QB in Nottingham
National Signing Day 2010: the Stanford Cardinal lands the 4th best high school QB in America in Brett Nottingham. In doing so, The Cardinal is in the same conversation as BYU, Alabama, and Texas, all of which secured the top three quarterbacks in the U.S.A according to Rivals.com.
Fresh off a 2009 season that saw the Cardinal go to its first bowl game since 2001 and present a Heisman Trophy runner-up in Running Back Toby Gerhart, Stanford is poised to have its best recruiting class in years.
Brett Nottingham is 6-4, 210 lbs and is a local-to-Stanford San Francisco Bay Area product from Monte Vista High School in Danville, CA. Barry Every of Rivals.com compares him to Tim Tebow in size and build. (Let's hope he doesn't cry after big bowl losses!)
Here's a video view of Stanford's newest QB:
Stay tuned.
Brett Nottingham
Fresh off a 2009 season that saw the Cardinal go to its first bowl game since 2001 and present a Heisman Trophy runner-up in Running Back Toby Gerhart, Stanford is poised to have its best recruiting class in years.
Brett Nottingham is 6-4, 210 lbs and is a local-to-Stanford San Francisco Bay Area product from Monte Vista High School in Danville, CA. Barry Every of Rivals.com compares him to Tim Tebow in size and build. (Let's hope he doesn't cry after big bowl losses!)
Here's a video view of Stanford's newest QB:
Stay tuned.
Will Comcast fire NBC's Jeff Zucker? Ad execs hope so
The word on the street, according to Nikke Finke, is that Comcast will fire NBC NBC Universal President Jeff Zucker "within minutes" of Federal approval of the Comcast takeover of NBC.
That news could not come sooner for advertising executives, who are still really in a snit over Zucker's decision to green-light the failed Jay Leno Show, and the awful way Zucker handled Leno and Conan O'Brien.
On AdAge, the ad industry news publication, negative articles about Zucker are common, the most recent one calling for President Barack Obama to fire Jeff Zucker. And this article has bite:
Ad execs blame Jeff Zucker for what they refer to as the "destruction of NBC" and most important what they see as the terrible Jay Leno Show. When it was announced that NBC would move Leno back to his old place, AdAge reported that anyone would be better than Jay Leno at 10 PM.
Ouch.
And MediaLife doesn't pull any punishes either. In a blog post that is a view of NBC from an ad buyer's perspective, Louisa Ada Seltzer writes:
The post is followed by an unflattering survey and quotes of media buyers telling Zucker to resign or calling him an idiot, and all for his bungling of the Jay Leno Show.
But in fairness, all of this is happening in the storm of a terrible, and just recovering, economy which has been weak for two years. Zucker's actions would have been judged critically in a good economy, but in a bad one, they look like career suicide.
Stay tuned.
That news could not come sooner for advertising executives, who are still really in a snit over Zucker's decision to green-light the failed Jay Leno Show, and the awful way Zucker handled Leno and Conan O'Brien.
On AdAge, the ad industry news publication, negative articles about Zucker are common, the most recent one calling for President Barack Obama to fire Jeff Zucker. And this article has bite:
...the man who engineered this fiasco and the general demise of NBC, Jeff Zucker (president and CEO of NBC Universal), still, bizarrely, has his job. In fact, he doesn't even really seem to fully grasp that he's at fault. When the New York Times, in a page-one, above-the-fold story, declared that "the network is in shambles" and that its "overall finances are crumbling" (from $1 billion in profit less than a decade ago, to a projected $100 million loss this year), Zucker offered the paper this defense: "We live in a society today that loves a soap opera. Three months ago it was David Letterman. Six weeks ago it was Tiger Wood's problems. Today it's NBC's problems."
Um, sure, Jeff. Tell yourself that. All of us who think you're blindingly incompetent, and have been for years, are just serial bitches and bullies who pick our targets for sport. It's merely NBC's turn, is all; this, too, will pass. Suuuure.
Ad execs blame Jeff Zucker for what they refer to as the "destruction of NBC" and most important what they see as the terrible Jay Leno Show. When it was announced that NBC would move Leno back to his old place, AdAge reported that anyone would be better than Jay Leno at 10 PM.
Ouch.
And MediaLife doesn't pull any punishes either. In a blog post that is a view of NBC from an ad buyer's perspective, Louisa Ada Seltzer writes:
The pain NBC has suffered through its mismanagement of the entire mess will remain a scar on the brand, and in the end it's really accomplished nothing in the way of fixing its primetime problem by moving Leno from the 10 p.m. timeslot, where his weeknight strip had done so poorly.
The post is followed by an unflattering survey and quotes of media buyers telling Zucker to resign or calling him an idiot, and all for his bungling of the Jay Leno Show.
But in fairness, all of this is happening in the storm of a terrible, and just recovering, economy which has been weak for two years. Zucker's actions would have been judged critically in a good economy, but in a bad one, they look like career suicide.
Stay tuned.
Oscar Nominations: Hitler's pissed off about Star Trek
Oscar Nominations: Hitler's pissed off about Star Trek.
Star Trek, Director J.J. Abrams widely acclaimed "reboot" of the popular television and movie science fiction series, was widely expected to be one of ten Oscar "Best Picture" nominees. Instead it was snubbed for the competition, causing a loud, Worldwide outcry from Star Trek fans. The movie was marketed as "Best Picture Material."
Still, it didn't win. Avatar, Hurt Locker, District 9, and the surprise entry, The Blind Side, were named to compete for Oscar, Best Picture.
What happened and why Star Trek didn't get a nominations is anyone's best guess. But one thing is clear: Hitler's not happy. Just as he was unhappy about a number of life's happenings, lets just say he was more than a little worked up about Star Trek's miscue:
Stay tuned.
Star Trek, Director J.J. Abrams widely acclaimed "reboot" of the popular television and movie science fiction series, was widely expected to be one of ten Oscar "Best Picture" nominees. Instead it was snubbed for the competition, causing a loud, Worldwide outcry from Star Trek fans. The movie was marketed as "Best Picture Material."
Still, it didn't win. Avatar, Hurt Locker, District 9, and the surprise entry, The Blind Side, were named to compete for Oscar, Best Picture.
What happened and why Star Trek didn't get a nominations is anyone's best guess. But one thing is clear: Hitler's not happy. Just as he was unhappy about a number of life's happenings, lets just say he was more than a little worked up about Star Trek's miscue:
Stay tuned.
Tuesday, February 02, 2010
2010 Academy Award Nominations - Oscars Social Networking Grade = D
In evaluating the 2010 Academy Award Nominations announcements from a New Media perspective, Oscar gets a social networking grade of "D". The criteria is based on reach, Twitter top tag entries, and search trend impact.
Considering the collective movie audience and television and marketing exposure, the 2010 Academy Award Nominations Announcement Event should be the top news of the day, dominating Google Trends, Twitter top hashtags, live stream views, and with all of that, total reach. Instead, Oscar's outdone by "Punxsutawney Phil 2010" or "Groundhogs Day".
That today, February 2nd 2010, is "Groundhogs Day" is no excuse for Oscar to be punked by a couple of groundhogs, but that's what's happening.
The seeds of this problem are various, starting with the fact the Oscar telecast is on one station, ABC early in the morning. If you missed ABC's telecast, or weren't forced to look at the Oscar Nominations by it being on, say, ABC, NBC, and CBS, you didn't know what happened until an hour or so after the event was done.
If three networks had the Oscar telecast, the resulting search activity, and thus the trend metric, would have been greater. But even with that, Oscar's New Media platform was too small to carry the search trend, and still is. Why?
The Oscars are not on Twitter.
That's right. A simple visit to The Oscars website shows what The Academy of Motion Picture Arts and Sciences thinks about New Media. It's stuffed down in the lower right corner, where it reads "Connect with the Academy" and has a link to its RSS feed, Facebook page, and YouTube account.
That's it.
Heck, I'm all over the place - Oscar should be too. AMPAS does a massive disservice to its members and sponsors with this awful online production. A well-done Twitter account could gain as much as 1 million followers and cause a total hashtag domination, pushing Phil the Groundhog to second place or no place. But if Oscar's not on Twitter, it's at the mercy of other organizations to push its message and some of those, like Sony, don't have enough Twitter followers themselves.
At just over 7,000 followers as of this writing, Sony has less than this blogger on Twitter. So, it can't really carry its message in such a way as to impact a hashtag list in seconds, and it can't do it for AMPAS' to as wide an audience as is needed to create a lasting buzz that carries for days.
And when Oscar does have a New Media platform to use, it does not have the right strategy. The live stream was such that the chat was on Facebook, so your updates became the chat. Great. Now, my friends are wondering how much coffee I had to produce a pinwheeling set of updates. But beyond that, the live stream had only 15,000 viewers at best.
What Oscar should have done is worked with YouTube on the live event. That would have gained hundreds of thousands of viewers and netted a high search trend impact. Didn't happen.
On YouTube, Oscar's presentation is much better, but again, it has just 29,000 subscribers, when it should have several hundred thousand. The problem is AMPAS doesn't upload enough videos considering the material it has, and it prevents video from being embed on websites. Frankly, that's really a bad decision.
There's not a good, metric-based reason for AMPAS decision to basically prevent its own brand from being presented across the web. None, not one.
Did you see the Steve and Alec video? Only 908 people did as of this writing. If it were embedable, that number would be in the thousands. It would gain more video views that Oscar could then convert into YouTube Partner revenue.
To close what could have been a book, Oscar's dropped the ball on the one event that can and should serve as a catapult to high ratings on Oscar night. The problem is AMPAS does not take New Media seriously and may very well be the reason why I didn't get the press credential AMPAS sent for me to fill out.
Beyond me, AMPAS needs to fix its New Media problem for 2011. It's harming Academy members and sponsors and will continue to do so unless it turns this around ASAP.
Stay tuned.
Considering the collective movie audience and television and marketing exposure, the 2010 Academy Award Nominations Announcement Event should be the top news of the day, dominating Google Trends, Twitter top hashtags, live stream views, and with all of that, total reach. Instead, Oscar's outdone by "Punxsutawney Phil 2010" or "Groundhogs Day".
That today, February 2nd 2010, is "Groundhogs Day" is no excuse for Oscar to be punked by a couple of groundhogs, but that's what's happening.
The seeds of this problem are various, starting with the fact the Oscar telecast is on one station, ABC early in the morning. If you missed ABC's telecast, or weren't forced to look at the Oscar Nominations by it being on, say, ABC, NBC, and CBS, you didn't know what happened until an hour or so after the event was done.
If three networks had the Oscar telecast, the resulting search activity, and thus the trend metric, would have been greater. But even with that, Oscar's New Media platform was too small to carry the search trend, and still is. Why?
The Oscars are not on Twitter.
That's right. A simple visit to The Oscars website shows what The Academy of Motion Picture Arts and Sciences thinks about New Media. It's stuffed down in the lower right corner, where it reads "Connect with the Academy" and has a link to its RSS feed, Facebook page, and YouTube account.
That's it.
Heck, I'm all over the place - Oscar should be too. AMPAS does a massive disservice to its members and sponsors with this awful online production. A well-done Twitter account could gain as much as 1 million followers and cause a total hashtag domination, pushing Phil the Groundhog to second place or no place. But if Oscar's not on Twitter, it's at the mercy of other organizations to push its message and some of those, like Sony, don't have enough Twitter followers themselves.
At just over 7,000 followers as of this writing, Sony has less than this blogger on Twitter. So, it can't really carry its message in such a way as to impact a hashtag list in seconds, and it can't do it for AMPAS' to as wide an audience as is needed to create a lasting buzz that carries for days.
And when Oscar does have a New Media platform to use, it does not have the right strategy. The live stream was such that the chat was on Facebook, so your updates became the chat. Great. Now, my friends are wondering how much coffee I had to produce a pinwheeling set of updates. But beyond that, the live stream had only 15,000 viewers at best.
What Oscar should have done is worked with YouTube on the live event. That would have gained hundreds of thousands of viewers and netted a high search trend impact. Didn't happen.
On YouTube, Oscar's presentation is much better, but again, it has just 29,000 subscribers, when it should have several hundred thousand. The problem is AMPAS doesn't upload enough videos considering the material it has, and it prevents video from being embed on websites. Frankly, that's really a bad decision.
There's not a good, metric-based reason for AMPAS decision to basically prevent its own brand from being presented across the web. None, not one.
Did you see the Steve and Alec video? Only 908 people did as of this writing. If it were embedable, that number would be in the thousands. It would gain more video views that Oscar could then convert into YouTube Partner revenue.
To close what could have been a book, Oscar's dropped the ball on the one event that can and should serve as a catapult to high ratings on Oscar night. The problem is AMPAS does not take New Media seriously and may very well be the reason why I didn't get the press credential AMPAS sent for me to fill out.
Beyond me, AMPAS needs to fix its New Media problem for 2011. It's harming Academy members and sponsors and will continue to do so unless it turns this around ASAP.
Stay tuned.
2010 Academy Award Nominations List - Avatar, Hurt Locker for Best Picture
The 2010 Academy Award Nominations are out.
AMPAS, The Academy of Motion Picture Arts and Sciences, has just released the full Oscar nominations list for the 82nd Annual Academy Awards. The list was released just after the Oscar Nominations Awards Ceremony held this morning. This year, the Oscar Nominations include 10 movies in the Best Picture Category.
There are some surprises for Best Picture, where the nominees are: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
But the Best Picure race is really between Avatar and The Hurt Locker, which have 9 nominations each, and directors, James Cameron and Katheryn Bigelow, who were once husband and wife.
Here's the full list of Oscar Nominations for the 82nd Academy Awards:
Performance by an actor in a leading role
Jeff Bridges in "Crazy Heart" (Fox Searchlight)
George Clooney in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Colin Firth in "A Single Man" (The Weinstein Company)
Morgan Freeman in "Invictus" (Warner Bros.)
Jeremy Renner in "The Hurt Locker" (Summit Entertainment)
Performance by an actor in a supporting role
Matt Damon in "Invictus" (Warner Bros.)
Woody Harrelson in "The Messenger" (Oscilloscope Laboratories)
Christopher Plummer in "The Last Station" (Sony Pictures Classics)
Stanley Tucci in "The Lovely Bones" (DreamWorks in association with Film4, Distributed by Paramount)
Christoph Waltz in "Inglourious Basterds" (The Weinstein Company)
Performance by an actress in a leading role
Sandra Bullock in "The Blind Side" (Warner Bros.)
Helen Mirren in "The Last Station" (Sony Pictures Classics)
Carey Mulligan in "An Education" (Sony Pictures Classics)
Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Meryl Streep in "Julie & Julia" (Sony Pictures Releasing)
Performance by an actress in a supporting role
Penélope Cruz in "Nine" (The Weinstein Company)
Vera Farmiga in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Maggie Gyllenhaal in "Crazy Heart" (Fox Searchlight)
Anna Kendrick in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Mo’Nique in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Best animated feature film of the year
"Coraline" (Focus Features), Henry Selick
"Fantastic Mr. Fox" (20th Century Fox), Wes Anderson
"The Princess and the Frog" (Walt Disney), John Musker and Ron Clements
"The Secret of Kells" (GKIDS), Tomm Moore
"Up" (Walt Disney), Pete Docter
Achievement in art direction
"Avatar" (20th Century Fox), Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics), Art Direction: Dave Warren and Anastasia Masaro, Set Decoration: Caroline Smith
"Nine" (The Weinstein Company), Art Direction: John Myhre, Set Decoration: Gordon Sim
"Sherlock Holmes" (Warner Bros.), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
"The Young Victoria" (Apparition), Art Direction: Patrice Vermette, Set Decoration: Maggie Gray
Achievement in cinematography
"Avatar" (20th Century Fox), Mauro Fiore
"Harry Potter and the Half-Blood Prince" (Warner Bros.), Bruno Delbonnel
"The Hurt Locker" (Summit Entertainment), Barry Ackroyd
"Inglourious Basterds" (The Weinstein Company), Robert Richardson
"The White Ribbon" (Sony Pictures Classics), Christian Berger
Achievement in costume design
"Bright Star" (Apparition), Janet Patterson
"Coco before Chanel" (Sony Pictures Classics), Catherine Leterrier
"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics), Monique Prudhomme
"Nine" (The Weinstein Company), Colleen Atwood
"The Young Victoria" (Apparition), Sandy Powell
Achievement in directing
"Avatar" (20th Century Fox), James Cameron
"The Hurt Locker" (Summit Entertainment), Kathryn Bigelow
"Inglourious Basterds" (The Weinstein Company), Quentin Tarantino
"Precious: Based on the Novel ‘Push’ by Sapphire" (Lionsgate), Lee Daniels
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios), Jason Reitman
Best documentary feature
“Burma VJ” (Oscilloscope Laboratories), A Magic Hour Films Production, Anders østergaard and Lise Lense-Møller
“The Cove” (Roadside Attractions), An Oceanic Preservation Society Production, Nominees to be determined
“Food, Inc.” (Magnolia Pictures), A Robert Kenner Films Production, Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”, A Kovno Communications Production, Judith Ehrlich and Rick Goldsmith
“Which Way Home”, A Mr. Mudd Production, Rebecca Cammisa
Best documentary short subject
"China’s Unnatural Disaster: The Tears of Sichuan, Province", A Downtown Community Television Center Production, Jon Alpert and Matthew O’Neill
"The Last Campaign of Governor Booth Gardner", A Just Media Production, Daniel Junge and Henry Ansbacher
"The Last Truck: Closing of a GM Plant", A Community Media Production, Steven Bognar and Julia Reichert
"Music by Prudence", An iThemba Production, Roger Ross Williams and Elinor Burkett
"Rabbit à la Berlin" (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Achievement in film editing
"Avatar" (20th Century Fox), Stephen Rivkin, John Refoua and James Cameron
"District 9" (Sony Pictures Releasing), Julian Clarke
"The Hurt Locker" (Summit Entertainment), Bob Murawski and Chris Innis
"Inglourious Basterds" (The Weinstein Company), Sally Menke
"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate), Joe Klotz
Best foreign language film of the year
"Ajami" (Kino International), An Inosan Production, Israel
"El Secreto de Sus Ojos" (Sony Pictures Classics), A Haddock Films Production, Argentina
"The Milk of Sorrow", A Wanda Visión/Oberon Cinematogrà /Vela Production, Peru
"Un Prophète" (Sony Pictures Classics), A Why Not/Page 114/Chic Films Production, France
"The White Ribbon" (Sony Pictures Classics), An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production, Germany
Achievement in makeup
"Il Divo" (MPI Media Group through Music Box), Aldo Signoretti and Vittorio Sodano
"Star Trek" (Paramount and Spyglass Entertainment), Barney Burman, Mindy Hall and Joel Harlow
"The Young Victoria" (Apparition), Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
"Avatar" (20th Century Fox), James Horner
"Fantastic Mr. Fox” (20th Century Fox), Alexandre Desplat
“The Hurt Locker” (Summit Entertainment), Marco Beltrami and Buck Sanders
“Sherlock Holmes” (Warner Bros.), Hans Zimmer
"Up" (Walt Disney), Michael Giacchino
Achievement in music written for motion pictures (Original song)
"Almost There" from "The Princess and the Frog" (Walt Disney), Music and Lyric by Randy Newman
"Down in New Orleans" from "The Princess and the Frog" (Walt Disney), Music and Lyric by Randy Newman
"Loin de Paname" from "Paris 36" (Sony Pictures Classics), Music by Reinhardt Wagner, Lyric by Frank Thomas
"Take It All" from "Nine" (The Weinstein Company), Music and Lyric by Maury Yeston
"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" (Fox Searchlight), Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
"Avatar" (20th Century Fox), A Lightstorm Entertainment Production, James Cameron and Jon Landau, Producers
"The Blind Side" (Warner Bros.), An Alcon Entertainment Production, Nominees to be determined
"District 9" (Sony Pictures Releasing), A Block/Hanson Production, Peter Jackson and Carolynne Cunningham, Producers
"An Education" (Sony Pictures Classics), A Finola Dwyer/Wildgaze Films Production, Finola Dwyer and Amanda Posey, Producers
"The Hurt Locker" (Summit Entertainment), A Voltage Pictures Production, Nominees to be determined
"Inglourious Basterds" (The Weinstein Company), A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production, Lawrence Bender, Producer
"Precious: Based on the Novel ‘Push’ by Sapphire" (Lionsgate), A Lee Daniels Entertainment/Smokewood Entertainment Production, Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
"A Serious Man" (Focus Features), A Working Title Films Production, Joel Coen and Ethan Coen, Producers
"Up" (Walt Disney), A Pixar Production, Jonas Rivera, Producer
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios), A Montecito Picture Company Production, Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
"French Roast" , A Pumpkin Factory/Bibo Films Production, Fabrice O. Joubert
"Granny O’Grimm’s Sleeping Beauty" (Brown Bag Films), A Brown Bag Films Production, Nicky Phelan and Darragh O’Connell
"The Lady and the Reaper (La Dama y la Muerte)", A Kandor Graphics and Green Moon Production, Javier Recio Gracia
“Logorama” (Autour de Minuit), An Autour de Minuit Production, Nicolas Schmerkin
“A Matter of Loaf and Death” (Aardman Animations), An Aardman Animations Production, Nick Park
Best live action short film
"The Door" (Network Ireland Television), An Octagon Films Production, Juanita Wilson and James Flynn
"Instead of Abracadabra", (The Swedish Film Institute), A Directörn & Fabrikörn Production, Patrik Eklund and Mathias Fjellström
"Kavi", A Gregg Helvey Production, Gregg Helvey
"Miracle Fish", (Premium Films), A Druid Films Production, Luke Doolan and Drew Bailey
"The New Tenants", A Park Pictures and M & M Production, Joachim Back and Tivi Magnusson
Achievement in sound editing
"Avatar" (20th Century Fox), Christopher Boyes and Gwendolyn Yates Whittle
"The Hurt Locker" (Summit Entertainment), Paul N.J. Ottosson
"Inglourious Basterds" (The Weinstein Company), Wylie Stateman
"Star Trek" (Paramount and Spyglass Entertainment), Mark Stoeckinger and Alan Rankin
"Up" (Walt Disney), Michael Silvers and Tom Myers
Achievement in sound mixing
"Avatar" (20th Century Fox), Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
"The Hurt Locker" (Summit Entertainment), Paul N.J. Ottosson and Ray Beckett
"Inglourious Basterds" (The Weinstein Company), Michael Minkler, Tony Lamberti and Mark Ulano
"Star Trek" (Paramount and Spyglass Entertainment), Anna Behlmer, Andy Nelson and Peter J. Devlin
"Transformers: Revenge of the Fallen" (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount), Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
"Avatar" (20th Century Fox), Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
"District 9" (Sony Pictures Releasing) , Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
"Star Trek" (Paramount and Spyglass Entertainment), Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
"District 9" (Sony Pictures Releasing), Written by Neill Blomkamp and Terri Tatchell
"An Education" (Sony Pictures Classics), Screenplay by Nick Hornby
"In the Loop" (IFC Films), Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate), Screenplay by Geoffrey Fletcher
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) , Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
"The Hurt Locker" (Summit Entertainment), Written by Mark Boal
"Inglourious Basterds" (The Weinstein Company), Written by Quentin Tarantino
"The Messenger" (Oscilloscope Laboratories), Written by Alessandro Camon & Oren Moverman
"A Serious Man" (Focus Features), Written by Joel Coen & Ethan Coen
"Up" (Walt Disney), Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
More Oscar nominations analysis and breakdown coming today.
AMPAS, The Academy of Motion Picture Arts and Sciences, has just released the full Oscar nominations list for the 82nd Annual Academy Awards. The list was released just after the Oscar Nominations Awards Ceremony held this morning. This year, the Oscar Nominations include 10 movies in the Best Picture Category.
There are some surprises for Best Picture, where the nominees are: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
But the Best Picure race is really between Avatar and The Hurt Locker, which have 9 nominations each, and directors, James Cameron and Katheryn Bigelow, who were once husband and wife.
Here's the full list of Oscar Nominations for the 82nd Academy Awards:
Performance by an actor in a leading role
Jeff Bridges in "Crazy Heart" (Fox Searchlight)
George Clooney in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Colin Firth in "A Single Man" (The Weinstein Company)
Morgan Freeman in "Invictus" (Warner Bros.)
Jeremy Renner in "The Hurt Locker" (Summit Entertainment)
Performance by an actor in a supporting role
Matt Damon in "Invictus" (Warner Bros.)
Woody Harrelson in "The Messenger" (Oscilloscope Laboratories)
Christopher Plummer in "The Last Station" (Sony Pictures Classics)
Stanley Tucci in "The Lovely Bones" (DreamWorks in association with Film4, Distributed by Paramount)
Christoph Waltz in "Inglourious Basterds" (The Weinstein Company)
Performance by an actress in a leading role
Sandra Bullock in "The Blind Side" (Warner Bros.)
Helen Mirren in "The Last Station" (Sony Pictures Classics)
Carey Mulligan in "An Education" (Sony Pictures Classics)
Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Meryl Streep in "Julie & Julia" (Sony Pictures Releasing)
Performance by an actress in a supporting role
Penélope Cruz in "Nine" (The Weinstein Company)
Vera Farmiga in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Maggie Gyllenhaal in "Crazy Heart" (Fox Searchlight)
Anna Kendrick in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
Mo’Nique in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Best animated feature film of the year
"Coraline" (Focus Features), Henry Selick
"Fantastic Mr. Fox" (20th Century Fox), Wes Anderson
"The Princess and the Frog" (Walt Disney), John Musker and Ron Clements
"The Secret of Kells" (GKIDS), Tomm Moore
"Up" (Walt Disney), Pete Docter
Achievement in art direction
"Avatar" (20th Century Fox), Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics), Art Direction: Dave Warren and Anastasia Masaro, Set Decoration: Caroline Smith
"Nine" (The Weinstein Company), Art Direction: John Myhre, Set Decoration: Gordon Sim
"Sherlock Holmes" (Warner Bros.), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
"The Young Victoria" (Apparition), Art Direction: Patrice Vermette, Set Decoration: Maggie Gray
Achievement in cinematography
"Avatar" (20th Century Fox), Mauro Fiore
"Harry Potter and the Half-Blood Prince" (Warner Bros.), Bruno Delbonnel
"The Hurt Locker" (Summit Entertainment), Barry Ackroyd
"Inglourious Basterds" (The Weinstein Company), Robert Richardson
"The White Ribbon" (Sony Pictures Classics), Christian Berger
Achievement in costume design
"Bright Star" (Apparition), Janet Patterson
"Coco before Chanel" (Sony Pictures Classics), Catherine Leterrier
"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics), Monique Prudhomme
"Nine" (The Weinstein Company), Colleen Atwood
"The Young Victoria" (Apparition), Sandy Powell
Achievement in directing
"Avatar" (20th Century Fox), James Cameron
"The Hurt Locker" (Summit Entertainment), Kathryn Bigelow
"Inglourious Basterds" (The Weinstein Company), Quentin Tarantino
"Precious: Based on the Novel ‘Push’ by Sapphire" (Lionsgate), Lee Daniels
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios), Jason Reitman
Best documentary feature
“Burma VJ” (Oscilloscope Laboratories), A Magic Hour Films Production, Anders østergaard and Lise Lense-Møller
“The Cove” (Roadside Attractions), An Oceanic Preservation Society Production, Nominees to be determined
“Food, Inc.” (Magnolia Pictures), A Robert Kenner Films Production, Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”, A Kovno Communications Production, Judith Ehrlich and Rick Goldsmith
“Which Way Home”, A Mr. Mudd Production, Rebecca Cammisa
Best documentary short subject
"China’s Unnatural Disaster: The Tears of Sichuan, Province", A Downtown Community Television Center Production, Jon Alpert and Matthew O’Neill
"The Last Campaign of Governor Booth Gardner", A Just Media Production, Daniel Junge and Henry Ansbacher
"The Last Truck: Closing of a GM Plant", A Community Media Production, Steven Bognar and Julia Reichert
"Music by Prudence", An iThemba Production, Roger Ross Williams and Elinor Burkett
"Rabbit à la Berlin" (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Achievement in film editing
"Avatar" (20th Century Fox), Stephen Rivkin, John Refoua and James Cameron
"District 9" (Sony Pictures Releasing), Julian Clarke
"The Hurt Locker" (Summit Entertainment), Bob Murawski and Chris Innis
"Inglourious Basterds" (The Weinstein Company), Sally Menke
"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate), Joe Klotz
Best foreign language film of the year
"Ajami" (Kino International), An Inosan Production, Israel
"El Secreto de Sus Ojos" (Sony Pictures Classics), A Haddock Films Production, Argentina
"The Milk of Sorrow", A Wanda Visión/Oberon Cinematogrà /Vela Production, Peru
"Un Prophète" (Sony Pictures Classics), A Why Not/Page 114/Chic Films Production, France
"The White Ribbon" (Sony Pictures Classics), An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production, Germany
Achievement in makeup
"Il Divo" (MPI Media Group through Music Box), Aldo Signoretti and Vittorio Sodano
"Star Trek" (Paramount and Spyglass Entertainment), Barney Burman, Mindy Hall and Joel Harlow
"The Young Victoria" (Apparition), Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
"Avatar" (20th Century Fox), James Horner
"Fantastic Mr. Fox” (20th Century Fox), Alexandre Desplat
“The Hurt Locker” (Summit Entertainment), Marco Beltrami and Buck Sanders
“Sherlock Holmes” (Warner Bros.), Hans Zimmer
"Up" (Walt Disney), Michael Giacchino
Achievement in music written for motion pictures (Original song)
"Almost There" from "The Princess and the Frog" (Walt Disney), Music and Lyric by Randy Newman
"Down in New Orleans" from "The Princess and the Frog" (Walt Disney), Music and Lyric by Randy Newman
"Loin de Paname" from "Paris 36" (Sony Pictures Classics), Music by Reinhardt Wagner, Lyric by Frank Thomas
"Take It All" from "Nine" (The Weinstein Company), Music and Lyric by Maury Yeston
"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" (Fox Searchlight), Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
"Avatar" (20th Century Fox), A Lightstorm Entertainment Production, James Cameron and Jon Landau, Producers
"The Blind Side" (Warner Bros.), An Alcon Entertainment Production, Nominees to be determined
"District 9" (Sony Pictures Releasing), A Block/Hanson Production, Peter Jackson and Carolynne Cunningham, Producers
"An Education" (Sony Pictures Classics), A Finola Dwyer/Wildgaze Films Production, Finola Dwyer and Amanda Posey, Producers
"The Hurt Locker" (Summit Entertainment), A Voltage Pictures Production, Nominees to be determined
"Inglourious Basterds" (The Weinstein Company), A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production, Lawrence Bender, Producer
"Precious: Based on the Novel ‘Push’ by Sapphire" (Lionsgate), A Lee Daniels Entertainment/Smokewood Entertainment Production, Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
"A Serious Man" (Focus Features), A Working Title Films Production, Joel Coen and Ethan Coen, Producers
"Up" (Walt Disney), A Pixar Production, Jonas Rivera, Producer
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios), A Montecito Picture Company Production, Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
"French Roast" , A Pumpkin Factory/Bibo Films Production, Fabrice O. Joubert
"Granny O’Grimm’s Sleeping Beauty" (Brown Bag Films), A Brown Bag Films Production, Nicky Phelan and Darragh O’Connell
"The Lady and the Reaper (La Dama y la Muerte)", A Kandor Graphics and Green Moon Production, Javier Recio Gracia
“Logorama” (Autour de Minuit), An Autour de Minuit Production, Nicolas Schmerkin
“A Matter of Loaf and Death” (Aardman Animations), An Aardman Animations Production, Nick Park
Best live action short film
"The Door" (Network Ireland Television), An Octagon Films Production, Juanita Wilson and James Flynn
"Instead of Abracadabra", (The Swedish Film Institute), A Directörn & Fabrikörn Production, Patrik Eklund and Mathias Fjellström
"Kavi", A Gregg Helvey Production, Gregg Helvey
"Miracle Fish", (Premium Films), A Druid Films Production, Luke Doolan and Drew Bailey
"The New Tenants", A Park Pictures and M & M Production, Joachim Back and Tivi Magnusson
Achievement in sound editing
"Avatar" (20th Century Fox), Christopher Boyes and Gwendolyn Yates Whittle
"The Hurt Locker" (Summit Entertainment), Paul N.J. Ottosson
"Inglourious Basterds" (The Weinstein Company), Wylie Stateman
"Star Trek" (Paramount and Spyglass Entertainment), Mark Stoeckinger and Alan Rankin
"Up" (Walt Disney), Michael Silvers and Tom Myers
Achievement in sound mixing
"Avatar" (20th Century Fox), Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
"The Hurt Locker" (Summit Entertainment), Paul N.J. Ottosson and Ray Beckett
"Inglourious Basterds" (The Weinstein Company), Michael Minkler, Tony Lamberti and Mark Ulano
"Star Trek" (Paramount and Spyglass Entertainment), Anna Behlmer, Andy Nelson and Peter J. Devlin
"Transformers: Revenge of the Fallen" (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount), Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
"Avatar" (20th Century Fox), Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
"District 9" (Sony Pictures Releasing) , Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
"Star Trek" (Paramount and Spyglass Entertainment), Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
"District 9" (Sony Pictures Releasing), Written by Neill Blomkamp and Terri Tatchell
"An Education" (Sony Pictures Classics), Screenplay by Nick Hornby
"In the Loop" (IFC Films), Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate), Screenplay by Geoffrey Fletcher
"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) , Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
"The Hurt Locker" (Summit Entertainment), Written by Mark Boal
"Inglourious Basterds" (The Weinstein Company), Written by Quentin Tarantino
"The Messenger" (Oscilloscope Laboratories), Written by Alessandro Camon & Oren Moverman
"A Serious Man" (Focus Features), Written by Joel Coen & Ethan Coen
"Up" (Walt Disney), Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
More Oscar nominations analysis and breakdown coming today.
Oscar Best Picture Nom for District 9 gets Twitter applause
The Oscar Best Picture Nomination for District 9 got an enthusiastic Twitter applause. The science fiction movie about an alien race held captive in a Johannesburg, South Africa ghetto called District 9 was a hit during the Summer Movie Season.
Still, District 9, without a major star or the path-breaking effects of Avatar, did not take awards season by storm. But when talk about the best screenplay and story came up, District 9 was always in the conversation.
That District 9 scored an Oscar Best Picture Nomination is a by-product of a system where 10 Best Picture Nominees were selected. And while some, like Celeb Blogger Perez Hilton, think that 10 is five too many, and others were upset that Star Trek wasn't in the Best Picture group, the Twitter response was favorable and interesting. Here's a sample:
Stay tuned for more analysis and news.
Still, District 9, without a major star or the path-breaking effects of Avatar, did not take awards season by storm. But when talk about the best screenplay and story came up, District 9 was always in the conversation.
That District 9 scored an Oscar Best Picture Nomination is a by-product of a system where 10 Best Picture Nominees were selected. And while some, like Celeb Blogger Perez Hilton, think that 10 is five too many, and others were upset that Star Trek wasn't in the Best Picture group, the Twitter response was favorable and interesting. Here's a sample:
benyerks RT @mygeektime: DISTRICT 9 ...nominated for BEST PICTURE and SCREENPLAY.... WOW.... NICE!
less than 20 seconds ago from TweetDeck
ahlhelm RT @ThatKevinSmith: Ten fucking slots for Best Picture, and not a-one of 'em for JJ's STAR TREK? That list can't have TWO giant sci-fi movie's on it?
knowsurprises The Oscars are a mixed bag, but i'm glad to see some Sci-fi love for District 9 in best picture. I'm not excited about Sandra Bullock at all
half a minute ago from web
Febreze_Fresh Oscar nominations were announced this morning http://bit.ly/cLJeqP . What film do you think will win Best Picture?
half a minute ago from web
Cheyenne_Lexi @eonline avatar hopefully not best picture! Graphics maybe
half a minute ago from Mobile Web
thordiakow The Blind Side and Up on the Best Picture nom. list? No way man
half a minute ago from web
AvinashBidaia RT @ndtv: Oscar nominations: Best Picture - Destrict 9,Inglorious Basterds, Avatar, Up, Up in the Air, Blind Side| seen these and love them
half a minute ago from UberTwitter
WeFlySpitfires @Sypster If Avatar wins best picture, I will... never watch the Oscars every again. There!
half a minute ago from web
Stay tuned for more analysis and news.
2010 Oscar Nominations List: Oscar has 10 Best Picture candidates
AMPAS, The Academy of Motion Picture Arts and Sciences, has just released the full Oscar nominations list for the 82nd Annual Academy Awards. The list was released just after the Oscar Nominations Awards Ceremony held this morning. This year, the Oscar Nominations include 10 movies in the Best Picture Category.
There are some surprises for Best Picture, where the nominees are: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
Here's the full list of Oscar Nominations for the 82nd Academy Awards:
Performance by an actor in a leading role
Jeff Bridges in “Crazy Heart” (Fox Searchlight)
George Clooney in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Colin Firth in “A Single Man” (The Weinstein Company)
Morgan Freeman in “Invictus” (Warner Bros.)
Jeremy Renner in “The Hurt Locker” (Summit Entertainment)
Performance by an actor in a supporting role
Matt Damon in “Invictus” (Warner Bros.)
Woody Harrelson in “The Messenger” (Oscilloscope Laboratories)
Christopher Plummer in “The Last Station” (Sony Pictures Classics)
Stanley Tucci in “The Lovely Bones” (DreamWorks in association with Film4, Distributed by Paramount)
Christoph Waltz in “Inglourious Basterds” (The Weinstein Company)
Performance by an actress in a leading role
Sandra Bullock in “The Blind Side” (Warner Bros.)
Helen Mirren in “The Last Station” (Sony Pictures Classics)
Carey Mulligan in “An Education” (Sony Pictures Classics)
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Meryl Streep in “Julie & Julia” (Sony Pictures Releasing)
Performance by an actress in a supporting role
Penélope Cruz in “Nine” (The Weinstein Company)
Vera Farmiga in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Maggie Gyllenhaal in “Crazy Heart” (Fox Searchlight)
Anna Kendrick in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Best animated feature film of the year
“Coraline” (Focus Features), Henry Selick
“Fantastic Mr. Fox” (20th Century Fox), Wes Anderson
“The Princess and the Frog” (Walt Disney), John Musker and Ron Clements
“The Secret of Kells” (GKIDS), Tomm Moore
“Up” (Walt Disney), Pete Docter
Achievement in art direction
“Avatar” (20th Century Fox), Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Art Direction: Dave Warren and Anastasia Masaro, Set Decoration: Caroline Smith
“Nine” (The Weinstein Company), Art Direction: John Myhre, Set Decoration: Gordon Sim
“Sherlock Holmes” (Warner Bros.), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
“The Young Victoria” (Apparition), Art Direction: Patrice Vermette, Set Decoration: Maggie Gray
Achievement in cinematography
“Avatar” (20th Century Fox), Mauro Fiore
“Harry Potter and the Half-Blood Prince” (Warner Bros.), Bruno Delbonnel
“The Hurt Locker” (Summit Entertainment), Barry Ackroyd
“Inglourious Basterds” (The Weinstein Company), Robert Richardson
“The White Ribbon” (Sony Pictures Classics), Christian Berger
Achievement in costume design
“Bright Star” (Apparition), Janet Patterson
“Coco before Chanel” (Sony Pictures Classics), Catherine Leterrier
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Monique Prudhomme
“Nine” (The Weinstein Company), Colleen Atwood
“The Young Victoria” (Apparition), Sandy Powell
Achievement in directing
“Avatar” (20th Century Fox), James Cameron
“The Hurt Locker” (Summit Entertainment), Kathryn Bigelow
“Inglourious Basterds” (The Weinstein Company), Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Lee Daniels
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), Jason Reitman
Best documentary feature
“Burma VJ” (Oscilloscope Laboratories), A Magic Hour Films Production, Anders østergaard and Lise Lense-Møller
“The Cove” (Roadside Attractions), An Oceanic Preservation Society Production, Nominees to be determined
“Food, Inc.” (Magnolia Pictures), A Robert Kenner Films Production, Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”, A Kovno Communications Production, Judith Ehrlich and Rick Goldsmith
“Which Way Home”, A Mr. Mudd Production, Rebecca Cammisa
Best documentary short subject
“China’s Unnatural Disaster: The Tears of Sichuan, Province”, A Downtown Community Television Center Production, Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner”, A Just Media Production, Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant”, A Community Media Production, Steven Bognar and Julia Reichert
“Music by Prudence”, An iThemba Production, Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Achievement in film editing
“Avatar” (20th Century Fox), Stephen Rivkin, John Refoua and James Cameron
“District 9” (Sony Pictures Releasing), Julian Clarke
“The Hurt Locker” (Summit Entertainment), Bob Murawski and Chris Innis
“Inglourious Basterds” (The Weinstein Company), Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Joe Klotz
Best foreign language film of the year
“Ajami” (Kino International), An Inosan Production, Israel
“El Secreto de Sus Ojos” (Sony Pictures Classics), A Haddock Films Production, Argentina
“The Milk of Sorrow”, A Wanda Visión/Oberon Cinematogrà /Vela Production, Peru
“Un Prophète” (Sony Pictures Classics), A Why Not/Page 114/Chic Films Production, France
“The White Ribbon” (Sony Pictures Classics), An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production, Germany
Achievement in makeup
“Il Divo” (MPI Media Group through Music Box), Aldo Signoretti and Vittorio Sodano
“Star Trek” (Paramount and Spyglass Entertainment), Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” (Apparition), Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
“Avatar” (20th Century Fox), James Horner
“Fantastic Mr. Fox” (20th Century Fox), Alexandre Desplat
“The Hurt Locker” (Summit Entertainment), Marco Beltrami and Buck Sanders
“Sherlock Holmes” (Warner Bros.), Hans Zimmer
“Up” (Walt Disney), Michael Giacchino
Achievement in music written for motion pictures (Original song)
“Almost There” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” (Sony Pictures Classics), Music by Reinhardt Wagner, Lyric by Frank Thomas
“Take It All” from “Nine” (The Weinstein Company), Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (Fox Searchlight), Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
“Avatar” (20th Century Fox), A Lightstorm Entertainment Production, James Cameron and Jon Landau, Producers
“The Blind Side” (Warner Bros.), An Alcon Entertainment Production, Nominees to be determined
“District 9” (Sony Pictures Releasing), A Block/Hanson Production, Peter Jackson and Carolynne Cunningham, Producers
“An Education” (Sony Pictures Classics), A Finola Dwyer/Wildgaze Films Production, Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” (Summit Entertainment), A Voltage Pictures Production, Nominees to be determined
“Inglourious Basterds” (The Weinstein Company), A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production, Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), A Lee Daniels Entertainment/Smokewood Entertainment Production, Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” (Focus Features), A Working Title Films Production, Joel Coen and Ethan Coen, Producers
“Up” (Walt Disney), A Pixar Production, Jonas Rivera, Producer
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), A Montecito Picture Company Production, Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
“French Roast” , A Pumpkin Factory/Bibo Films Production, Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” (Brown Bag Films), A Brown Bag Films Production, Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)”, A Kandor Graphics and Green Moon Production, Javier Recio Gracia
“Logorama” (Autour de Minuit), An Autour de Minuit Production, Nicolas Schmerkin
“A Matter of Loaf and Death” (Aardman Animations), An Aardman Animations Production, Nick Park
Best live action short film
“The Door” (Network Ireland Television), An Octagon Films Production, Juanita Wilson and James Flynn
“Instead of Abracadabra”, (The Swedish Film Institute), A Directörn & Fabrikörn Production, Patrik Eklund and Mathias Fjellström
“Kavi”, A Gregg Helvey Production, Gregg Helvey
“Miracle Fish”, (Premium Films), A Druid Films Production, Luke Doolan and Drew Bailey
“The New Tenants”, A Park Pictures and M & M Production, Joachim Back and Tivi Magnusson
Achievement in sound editing
“Avatar” (20th Century Fox), Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson
“Inglourious Basterds” (The Weinstein Company), Wylie Stateman
“Star Trek” (Paramount and Spyglass Entertainment), Mark Stoeckinger and Alan Rankin
“Up” (Walt Disney), Michael Silvers and Tom Myers
Achievement in sound mixing
“Avatar” (20th Century Fox), Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” (The Weinstein Company), Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” (Paramount and Spyglass Entertainment), Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount), Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
“Avatar” (20th Century Fox), Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” (Sony Pictures Releasing) , Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” (Paramount and Spyglass Entertainment), Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
“District 9” (Sony Pictures Releasing), Written by Neill Blomkamp and Terri Tatchell
“An Education” (Sony Pictures Classics), Screenplay by Nick Hornby
“In the Loop” (IFC Films), Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Screenplay by Geoffrey Fletcher
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) , Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
“The Hurt Locker” (Summit Entertainment), Written by Mark Boal
“Inglourious Basterds” (The Weinstein Company), Written by Quentin Tarantino
“The Messenger” (Oscilloscope Laboratories), Written by Alessandro Camon & Oren Moverman
“A Serious Man” (Focus Features), Written by Joel Coen & Ethan Coen
“Up” (Walt Disney), Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
More analysis and breakdown coming today.
There are some surprises for Best Picture, where the nominees are: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
Here's the full list of Oscar Nominations for the 82nd Academy Awards:
Performance by an actor in a leading role
Jeff Bridges in “Crazy Heart” (Fox Searchlight)
George Clooney in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Colin Firth in “A Single Man” (The Weinstein Company)
Morgan Freeman in “Invictus” (Warner Bros.)
Jeremy Renner in “The Hurt Locker” (Summit Entertainment)
Performance by an actor in a supporting role
Matt Damon in “Invictus” (Warner Bros.)
Woody Harrelson in “The Messenger” (Oscilloscope Laboratories)
Christopher Plummer in “The Last Station” (Sony Pictures Classics)
Stanley Tucci in “The Lovely Bones” (DreamWorks in association with Film4, Distributed by Paramount)
Christoph Waltz in “Inglourious Basterds” (The Weinstein Company)
Performance by an actress in a leading role
Sandra Bullock in “The Blind Side” (Warner Bros.)
Helen Mirren in “The Last Station” (Sony Pictures Classics)
Carey Mulligan in “An Education” (Sony Pictures Classics)
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Meryl Streep in “Julie & Julia” (Sony Pictures Releasing)
Performance by an actress in a supporting role
Penélope Cruz in “Nine” (The Weinstein Company)
Vera Farmiga in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Maggie Gyllenhaal in “Crazy Heart” (Fox Searchlight)
Anna Kendrick in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Best animated feature film of the year
“Coraline” (Focus Features), Henry Selick
“Fantastic Mr. Fox” (20th Century Fox), Wes Anderson
“The Princess and the Frog” (Walt Disney), John Musker and Ron Clements
“The Secret of Kells” (GKIDS), Tomm Moore
“Up” (Walt Disney), Pete Docter
Achievement in art direction
“Avatar” (20th Century Fox), Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Art Direction: Dave Warren and Anastasia Masaro, Set Decoration: Caroline Smith
“Nine” (The Weinstein Company), Art Direction: John Myhre, Set Decoration: Gordon Sim
“Sherlock Holmes” (Warner Bros.), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
“The Young Victoria” (Apparition), Art Direction: Patrice Vermette, Set Decoration: Maggie Gray
Achievement in cinematography
“Avatar” (20th Century Fox), Mauro Fiore
“Harry Potter and the Half-Blood Prince” (Warner Bros.), Bruno Delbonnel
“The Hurt Locker” (Summit Entertainment), Barry Ackroyd
“Inglourious Basterds” (The Weinstein Company), Robert Richardson
“The White Ribbon” (Sony Pictures Classics), Christian Berger
Achievement in costume design
“Bright Star” (Apparition), Janet Patterson
“Coco before Chanel” (Sony Pictures Classics), Catherine Leterrier
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Monique Prudhomme
“Nine” (The Weinstein Company), Colleen Atwood
“The Young Victoria” (Apparition), Sandy Powell
Achievement in directing
“Avatar” (20th Century Fox), James Cameron
“The Hurt Locker” (Summit Entertainment), Kathryn Bigelow
“Inglourious Basterds” (The Weinstein Company), Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Lee Daniels
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), Jason Reitman
Best documentary feature
“Burma VJ” (Oscilloscope Laboratories), A Magic Hour Films Production, Anders østergaard and Lise Lense-Møller
“The Cove” (Roadside Attractions), An Oceanic Preservation Society Production, Nominees to be determined
“Food, Inc.” (Magnolia Pictures), A Robert Kenner Films Production, Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”, A Kovno Communications Production, Judith Ehrlich and Rick Goldsmith
“Which Way Home”, A Mr. Mudd Production, Rebecca Cammisa
Best documentary short subject
“China’s Unnatural Disaster: The Tears of Sichuan, Province”, A Downtown Community Television Center Production, Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner”, A Just Media Production, Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant”, A Community Media Production, Steven Bognar and Julia Reichert
“Music by Prudence”, An iThemba Production, Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Achievement in film editing
“Avatar” (20th Century Fox), Stephen Rivkin, John Refoua and James Cameron
“District 9” (Sony Pictures Releasing), Julian Clarke
“The Hurt Locker” (Summit Entertainment), Bob Murawski and Chris Innis
“Inglourious Basterds” (The Weinstein Company), Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Joe Klotz
Best foreign language film of the year
“Ajami” (Kino International), An Inosan Production, Israel
“El Secreto de Sus Ojos” (Sony Pictures Classics), A Haddock Films Production, Argentina
“The Milk of Sorrow”, A Wanda Visión/Oberon Cinematogrà /Vela Production, Peru
“Un Prophète” (Sony Pictures Classics), A Why Not/Page 114/Chic Films Production, France
“The White Ribbon” (Sony Pictures Classics), An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production, Germany
Achievement in makeup
“Il Divo” (MPI Media Group through Music Box), Aldo Signoretti and Vittorio Sodano
“Star Trek” (Paramount and Spyglass Entertainment), Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” (Apparition), Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
“Avatar” (20th Century Fox), James Horner
“Fantastic Mr. Fox” (20th Century Fox), Alexandre Desplat
“The Hurt Locker” (Summit Entertainment), Marco Beltrami and Buck Sanders
“Sherlock Holmes” (Warner Bros.), Hans Zimmer
“Up” (Walt Disney), Michael Giacchino
Achievement in music written for motion pictures (Original song)
“Almost There” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” (Sony Pictures Classics), Music by Reinhardt Wagner, Lyric by Frank Thomas
“Take It All” from “Nine” (The Weinstein Company), Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (Fox Searchlight), Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
“Avatar” (20th Century Fox), A Lightstorm Entertainment Production, James Cameron and Jon Landau, Producers
“The Blind Side” (Warner Bros.), An Alcon Entertainment Production, Nominees to be determined
“District 9” (Sony Pictures Releasing), A Block/Hanson Production, Peter Jackson and Carolynne Cunningham, Producers
“An Education” (Sony Pictures Classics), A Finola Dwyer/Wildgaze Films Production, Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” (Summit Entertainment), A Voltage Pictures Production, Nominees to be determined
“Inglourious Basterds” (The Weinstein Company), A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production, Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), A Lee Daniels Entertainment/Smokewood Entertainment Production, Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” (Focus Features), A Working Title Films Production, Joel Coen and Ethan Coen, Producers
“Up” (Walt Disney), A Pixar Production, Jonas Rivera, Producer
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), A Montecito Picture Company Production, Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
“French Roast” , A Pumpkin Factory/Bibo Films Production, Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” (Brown Bag Films), A Brown Bag Films Production, Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)”, A Kandor Graphics and Green Moon Production, Javier Recio Gracia
“Logorama” (Autour de Minuit), An Autour de Minuit Production, Nicolas Schmerkin
“A Matter of Loaf and Death” (Aardman Animations), An Aardman Animations Production, Nick Park
Best live action short film
“The Door” (Network Ireland Television), An Octagon Films Production, Juanita Wilson and James Flynn
“Instead of Abracadabra”, (The Swedish Film Institute), A Directörn & Fabrikörn Production, Patrik Eklund and Mathias Fjellström
“Kavi”, A Gregg Helvey Production, Gregg Helvey
“Miracle Fish”, (Premium Films), A Druid Films Production, Luke Doolan and Drew Bailey
“The New Tenants”, A Park Pictures and M & M Production, Joachim Back and Tivi Magnusson
Achievement in sound editing
“Avatar” (20th Century Fox), Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson
“Inglourious Basterds” (The Weinstein Company), Wylie Stateman
“Star Trek” (Paramount and Spyglass Entertainment), Mark Stoeckinger and Alan Rankin
“Up” (Walt Disney), Michael Silvers and Tom Myers
Achievement in sound mixing
“Avatar” (20th Century Fox), Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” (The Weinstein Company), Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” (Paramount and Spyglass Entertainment), Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount), Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
“Avatar” (20th Century Fox), Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” (Sony Pictures Releasing) , Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” (Paramount and Spyglass Entertainment), Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
“District 9” (Sony Pictures Releasing), Written by Neill Blomkamp and Terri Tatchell
“An Education” (Sony Pictures Classics), Screenplay by Nick Hornby
“In the Loop” (IFC Films), Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Screenplay by Geoffrey Fletcher
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) , Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
“The Hurt Locker” (Summit Entertainment), Written by Mark Boal
“Inglourious Basterds” (The Weinstein Company), Written by Quentin Tarantino
“The Messenger” (Oscilloscope Laboratories), Written by Alessandro Camon & Oren Moverman
“A Serious Man” (Focus Features), Written by Joel Coen & Ethan Coen
“Up” (Walt Disney), Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
More analysis and breakdown coming today.
Oscar Best Picture Noms to Avatar, Hurt Locker, not Star Trek
The Oscar Nominations just concluded and not without some surprises. The final list will be out shortly, but for Best Picture the nominees are: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
That a nomination did not go to Star Trek was a shock to many on the Facebook Livestream, which indicates how the public's going to respond to the news of the list. But with that, Emeryville-based Pixar scored a Best Picture nomination for its animated movie, Up. And in general, I can't remember a Best Picture list that included so many science fiction and animated movies: Avatar, District 9, and Up.
Congratulations to the compelling movie Precious, where Director Lee Daniels, Gaborney Sidibe, Mo'Nique, and the movie itself were honored with nominations in the Director, Best Actress, Best Supporting Actress, Film Editing, Adapted Screenplay, and Best Picture categories.
Other Best Picture surprises were for The Blind Side, the excellent story about Baltimore Ravens Offensive Tackle Michael Oher and the family who adopted him. While the story is largely around Sandra Bullocks great performance, some forget that without Michael Oher there would be no The Blind Side.
More updates, soon.
That a nomination did not go to Star Trek was a shock to many on the Facebook Livestream, which indicates how the public's going to respond to the news of the list. But with that, Emeryville-based Pixar scored a Best Picture nomination for its animated movie, Up. And in general, I can't remember a Best Picture list that included so many science fiction and animated movies: Avatar, District 9, and Up.
Congratulations to the compelling movie Precious, where Director Lee Daniels, Gaborney Sidibe, Mo'Nique, and the movie itself were honored with nominations in the Director, Best Actress, Best Supporting Actress, Film Editing, Adapted Screenplay, and Best Picture categories.
Other Best Picture surprises were for The Blind Side, the excellent story about Baltimore Ravens Offensive Tackle Michael Oher and the family who adopted him. While the story is largely around Sandra Bullocks great performance, some forget that without Michael Oher there would be no The Blind Side.
More updates, soon.
Oscar Nominations Livestream Live blog
Oscar Nominations Livestream Live blog. After months of movie watching, opinion sharing, and speculation tracking the day that the nominations for the 82nd Annual Academy Awards is here. Oscar Nomination Ballots were due January 23rd at 5 PM; they've been collected by Price WaterHouse for The Academy of Motion Picture Arts and Sciences. Special screenings to determine the nominees have been done and the Academy members have spoken. Now, the event featuring Anne Hathaway and AMPAS President Tom Sherak, is coming in the morning and you can see it live here:
It starts at 5:38 AM - Refresh for updates.
Starts with the great announcement music.
Best Actors, Actress, Director, Supporting Actor, and Actress true to form with Golden Globes.
Wow. Star Trek not on Best Picture list?
Congrats to Emeryville's Pixar for Best Picture nom for UP.
District 9 gets Best Picture nom.
Best Picture: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
academyawards on livestream.com. Broadcast Live Free
It starts at 5:38 AM - Refresh for updates.
Starts with the great announcement music.
Best Actors, Actress, Director, Supporting Actor, and Actress true to form with Golden Globes.
Wow. Star Trek not on Best Picture list?
Congrats to Emeryville's Pixar for Best Picture nom for UP.
District 9 gets Best Picture nom.
Best Picture: Avatar, The Blind Side, An Education,The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel ‘Push’ by Sapphire, A Serious Man, Up, Up in the Air.
Oscar Nominations Livestream here at 5 AM PST / 8 AM EST
After months of movie watching, opinion sharing, and speculation tracking the day that the nominations for the 82nd Annual Academy Awards is here. Oscar Nomination Ballots were due January 23rd at 5 PM; they've been collected by Price WaterHouse for The Academy of Motion Picture Arts and Sciences. Special screenings to determine the nominees have been done and the Academy members have spoken. Now, the event featuring Anne Hathaway and AMPAS President Tom Sherak, is coming in the morning and you can see it live here:
It starts at 5 AM PST / 8 AM PST. This blogger has never tried to predict which movie was going to be nominated, and will not take up the practice in 2010. Stay tuned.
Watch live streaming video from academyawards at livestream.com
It starts at 5 AM PST / 8 AM PST. This blogger has never tried to predict which movie was going to be nominated, and will not take up the practice in 2010. Stay tuned.
New Zennie62 Widget by Widgetbox has 10 rotating feeds
Widgetbox.com has created a new version of the Zennie62 Widget. This one's unlike any you've seen before. It has tabs representing this blogger's Zennie62.com blog, as well as the Oakland Focus, New York Focus, and San Francisco Focus blogs.
And as the Super Bowl is coming, there's a tab for two more Zennie Abraham blogs: the Super Bowl Blog, and the NFL Business Blog. The Zennie62 Widget also has tabs for the CNN iReport, YouTube, and Blip.tv video channels and the Zennie62 Twitter account.
That's 10 feeds all in one widget. But that's not the only feature: the widget rotates feeds every five seconds, so you can see one feed at a time and its latest contents.
The new widget is the creation of San Francisco-based Widgetbox.com and under my specifications. Now, I have all of my online broadcasts in one place. Most widgets have one feed; this one goes far beyond that.
The widget can be placed on a blog or website, Facebook, MySpace, or Twitter pages.
Thanks to Steve Kloft of Widgetbox for creating the new widget. Below and to the right are version of the Zennie62 Widget. Get one!:
And as the Super Bowl is coming, there's a tab for two more Zennie Abraham blogs: the Super Bowl Blog, and the NFL Business Blog. The Zennie62 Widget also has tabs for the CNN iReport, YouTube, and Blip.tv video channels and the Zennie62 Twitter account.
That's 10 feeds all in one widget. But that's not the only feature: the widget rotates feeds every five seconds, so you can see one feed at a time and its latest contents.
The new widget is the creation of San Francisco-based Widgetbox.com and under my specifications. Now, I have all of my online broadcasts in one place. Most widgets have one feed; this one goes far beyond that.
The widget can be placed on a blog or website, Facebook, MySpace, or Twitter pages.
Thanks to Steve Kloft of Widgetbox for creating the new widget. Below and to the right are version of the Zennie62 Widget. Get one!:
Monday, February 01, 2010
Oscar Nominations Livestream here at 5 AM PST / 8 AM EST
After months of movie watching, opinion sharing, and speculation tracking the day that the nominations for the 82nd Annual Academy Awards is here. Oscar Nomination Ballots were due January 23rd at 5 PM; they've been collected by Price WaterHouse for The Academy of Motion Picture Arts and Sciences. Special screenings to determine the nominees have been done and the Academy members have spoken. Now, the event featuring Anne Hathaway and AMPAS President Tom Sherak, is coming in the morning and you can see it live here:
It starts at 5 AM PST / 8 AM PST. This blogger has never tried to predict which movie was going to be nominated, and will not take up the practice in 2010. Stay tuned.
Watch live streaming video from academyawards at livestream.com
It starts at 5 AM PST / 8 AM PST. This blogger has never tried to predict which movie was going to be nominated, and will not take up the practice in 2010. Stay tuned.
Grammy Awards Time
With the 2010 Grammy Awards now officially over, speculation as to how they can draw the same ratings have begun. There was a huge 35% increase in numbers from 2009. The fashion was extravagant as usual, (Ciara wore over $250,000 in Cartier jewelry). Pink awed the crowds, she was incredible and soulful. And Beyonce proved herself as the Queen of the 2010 Grammy Awards by taking home six, a record breaking feat. I was pleasantly surprised that they allowed performers such long set times although this meant that Beyonce (unfortunately) had enough time to do her best impression of Alanis Morisette. Yes, I am confused about that one too... But all in all the show proved to be a success. Most importantly, by celebrating Michael Jackson with a stunning tribute sung by Usher, Celine Dion, Carrie Underwood, and a glowing Jennifer Hudson.
Now onto some other exciting news! If you are regular readers of this blog then you might have noticed videos and posts by yours truly recently. I thought a little bit of an introduction might be beneficial. I have been blogging for a long time and keep it appealing and fresh over at SomeRedCat.tumblr.com. And I am now extremely happy to be contributing something new to Zennie62.com.
I love everything pop culture. But what does that really mean you ask...? Well, it means that I am equally excited about who’s a hot mess on the red carpet as I am in what the next exhibit at SF MOMA is… I want to know what the international gross of Avatar is thus far as well as where the hell Brandy went (where are you girl?)… You know, I’m talking REALLY important stuff here.
But honestly, Life is meant to be fun! And this is Hollwood gossip, not brain surgery. I'm sticking with what I know, and I plan on delivering it to you with a smile and some sass.
A little more about me.. Likes- dance parties (even if they’re solo), Bette Midler, traveling, exploring San Francisco with my camera, Martin Short, Kant & Boas, spending Saturday with Jack Daniels and my friends, then Sunday with the New York Times, Dislikes- Ignorant people who don't like to have fun, when they tuck the sheet under the mattress at hotels, bananas, kiwis, indoor voices.
Have any questions or misplaced internet aggression?? Email me at SomeRedCat at gmail dot com & stalk me at SomeRedCat.tumblr.com
xoCat
Super Bowl XLIVL: Saints Coach Sean Payton takes Bill Walsh approach
In 1982, when the San Francisco 49ers traveled to Detroit to play the Cincinnati Bengals in Super Bowl XVI, Head Coach Bill Walsh dressed as a hotel bellman helping his team with their bags. The idea was to loosen up the Niners as it was their first Super Bowl.
Today, in 2010, we have the New Orleans Saints in their first Super Bowl against the Indianapolis Colts in Super Bowl XLIVL. And its apparent that Saints Head Coach Sean Payton saw the NFL Films movies of the late, great Coach Walsh. According to the NFL Network today, Coach Payton dressed as a hotel doorman along with several members of the Saints organization as the team was coming off their bus.
All to keep the Saints relaxed.
It worked for Bill Walsh and the San Francisco 49ers in 1982; the Niners won Super Bowl XVI 26 to 21. But 2010's a generation away and Coach Walsh wasn't up against the Colts Offense in Super Bowl XLIVL.
Stay tuned.
Today, in 2010, we have the New Orleans Saints in their first Super Bowl against the Indianapolis Colts in Super Bowl XLIVL. And its apparent that Saints Head Coach Sean Payton saw the NFL Films movies of the late, great Coach Walsh. According to the NFL Network today, Coach Payton dressed as a hotel doorman along with several members of the Saints organization as the team was coming off their bus.
All to keep the Saints relaxed.
It worked for Bill Walsh and the San Francisco 49ers in 1982; the Niners won Super Bowl XVI 26 to 21. But 2010's a generation away and Coach Walsh wasn't up against the Colts Offense in Super Bowl XLIVL.
Stay tuned.
Herb Caen lives through the SF Chronicle and New Media
Carl Nolte's take on Herb Caen is a worthy read, but for San Franciscans who've never heard of him - and the numnber's growing year-by-year - it's going to reach a small audience and then be quickly forgotten. That's sad, because Herb Caen is very much alive.
Herb Caen is alive in those of us who wanted to be like him, and still do. Who wanted to share how they saw San Francisco with the World. In the past, media wasn't fragmented; today it is. But because of that, he's everywhere.
Had he lived, Herb Caen would have still been a columnist, but a grouchy one, because his minders would not have had any idea how to get him plugged into New Media, and he most certainly would have resisted for a time. But his young fans would save him.
Herb Caen is alive. He lives in the people who use camcorders and cell phones to capture moments in San Francisco. Remember the Muni Driver who was getting a massage? The person who recorded him had Herb's sprit. Even the Oscar Grant Murder had Herb Caen's involvement in the form of the people who held up cell phones and camcorders to capture it as it was happening. And Herb Caen is very much in me. I had him in mind when I created this Golden Globe Awards video:
And this video on New Media, which was a tour of San Francisco, featuring talks with San Franciscans, including Mayor Newsom:
But if you're thinking I'm trying to say I'm Herb Caen - no, not exactly. We're all Herb Caen. I'm trying to show that we are him, today. We just need the proper vessel to show it and Herb Caen's sprit.
Herb Caen is alive. The problem is the San Francisco Chronicle hasn't figured out how to reassemble him today. Here's how.
Using YouTube's "direct" feature and a special web page, SFGate can have a new section called "I am Herb Caen: Herb Caen's San Francisco." The idea is to go to places that Herb would have either gone to or may have if they're new and make videos about them and what the person sees and upload them to the page. The result over time will be a powerful platform of San Francisco from his point of view as San Franciscans and visitors see it, expressed in videos.
In fact, here's an idea: each video should start with the title "I am Herb Caen."
Stay tuned.
Herb Caen is alive in those of us who wanted to be like him, and still do. Who wanted to share how they saw San Francisco with the World. In the past, media wasn't fragmented; today it is. But because of that, he's everywhere.
Had he lived, Herb Caen would have still been a columnist, but a grouchy one, because his minders would not have had any idea how to get him plugged into New Media, and he most certainly would have resisted for a time. But his young fans would save him.
Herb Caen is alive. He lives in the people who use camcorders and cell phones to capture moments in San Francisco. Remember the Muni Driver who was getting a massage? The person who recorded him had Herb's sprit. Even the Oscar Grant Murder had Herb Caen's involvement in the form of the people who held up cell phones and camcorders to capture it as it was happening. And Herb Caen is very much in me. I had him in mind when I created this Golden Globe Awards video:
And this video on New Media, which was a tour of San Francisco, featuring talks with San Franciscans, including Mayor Newsom:
But if you're thinking I'm trying to say I'm Herb Caen - no, not exactly. We're all Herb Caen. I'm trying to show that we are him, today. We just need the proper vessel to show it and Herb Caen's sprit.
Herb Caen is alive. The problem is the San Francisco Chronicle hasn't figured out how to reassemble him today. Here's how.
Using YouTube's "direct" feature and a special web page, SFGate can have a new section called "I am Herb Caen: Herb Caen's San Francisco." The idea is to go to places that Herb would have either gone to or may have if they're new and make videos about them and what the person sees and upload them to the page. The result over time will be a powerful platform of San Francisco from his point of view as San Franciscans and visitors see it, expressed in videos.
In fact, here's an idea: each video should start with the title "I am Herb Caen."
Stay tuned.
Ecuador President Correa takes doctors to Haiti, no donation, blasts donors
On Friday, January 29th, Ecuador President Rafael Correa went to visit earthquake damaged Haiti, with 12 doctors, and while making no monetary donation, blasted donor nations.
"There is a lot of imperialism among the donors. They donate first, but most of it goes back to them," Correct said at a joint press conference with Haiti's President Rene Preval.
That's the kind of politics Rafael Correa's known for. To mask the fact that Ecuador's not giving money to Haiti, Correa blasts those countries who have done so, which includes the United States.
To hide the fact that Rafael Correa wants to nationalize oil production in Ecuador, he asks for money to avoid oil extraction and production in what is considered an Ecuadorian biological preserve, then when he doesn't get the money, makes plans to do so with Ecuador's state-run oil company.
If Ecuador wanted to help Haiti, they would have spent money. With an economy projected to grow in 2010 and a budget in the billions, Ecuador could afford at least a few million for Haiti. And if Ecuador really wanted to protect the Amazon, it would not work to produce oil in it, itself.
Stay tuned.
"There is a lot of imperialism among the donors. They donate first, but most of it goes back to them," Correct said at a joint press conference with Haiti's President Rene Preval.
That's the kind of politics Rafael Correa's known for. To mask the fact that Ecuador's not giving money to Haiti, Correa blasts those countries who have done so, which includes the United States.
To hide the fact that Rafael Correa wants to nationalize oil production in Ecuador, he asks for money to avoid oil extraction and production in what is considered an Ecuadorian biological preserve, then when he doesn't get the money, makes plans to do so with Ecuador's state-run oil company.
If Ecuador wanted to help Haiti, they would have spent money. With an economy projected to grow in 2010 and a budget in the billions, Ecuador could afford at least a few million for Haiti. And if Ecuador really wanted to protect the Amazon, it would not work to produce oil in it, itself.
Stay tuned.
Oakland's iGrow weed Superstore in video
CNN's Dan Simon pays a visit to the new Oakland iGrow Superstore. The weed house is 15,000 square feet and just next to the Oakland Airport on 70 Hegenberger Drive. iGrow is developed for medicinal marijuana cultivation and they have a doctor in the building.
At iGrow, you can learn how to grow marijuana, get a cannabis card, and by all the equipment you need to have a growing crop of marijuana.
With this, and the blessings of the City of Oakland, America has taken one more step toward the eventual full legalization of marijuana.
Stay tuned.
At iGrow, you can learn how to grow marijuana, get a cannabis card, and by all the equipment you need to have a growing crop of marijuana.
With this, and the blessings of the City of Oakland, America has taken one more step toward the eventual full legalization of marijuana.
Stay tuned.
Green Day wins Grammy Award for Best Rock Album
Green Day, who's American Idiot musical is set to debut on Broadway, won a Grammy Award for Best Rock Album. At the Grammys, Billie Joe Armstrong and the Berkeley-born Green Day band did "21 Guns," from their album 21st Century Breakdown, which won the Best Rock Album Grammy.
Here, CNN captures the band practicing for their performance at The Grammys.
Green Day took the 2004 hit American Idiot and turned it into a popular play here on the West Coast. According to Wikipedia, American Idiot is about..
Stay tuned
Here, CNN captures the band practicing for their performance at The Grammys.
Green Day took the 2004 hit American Idiot and turned it into a popular play here on the West Coast. According to Wikipedia, American Idiot is about..
The album's protagonist, Jesus of Suburbia, emerged out of Armstrong asking himself what sort of person the title of "American Idiot" referred to. Armstrong described the character as essentially an anti-hero, a powerless "everyman" desensitized by a "steady diet of soda pop and Ritalin". Jesus of Suburbia hates his town and those close to him, so he leaves for the city.
As the album progresses the characters St. Jimmy and Whatsername are introduced. St. Jimmy is a punk rock freedom fighter. Whatsername, inspired by the Bikini Kill song "Rebel Girl", is a "Mother Revolution" figure that Armstrong described as "kind of St. Jimmy's nemesis in a lot of ways".
Both characters illustrate the "rage vs. love" theme of the album, in that "you can go with the blind rebellion of self-destruction, where Saint Jimmy is. But there's a more love-driven side to that, which is following your beliefs and ethics. And that's where Jesus of Suburbia really wants to go", according to Armstrong.
Near the end of the story, St. Jimmy apparently commits suicide. While the singer did not want to give away the details of the story's resolution, he said the intention is for the listener to ultimately realize that Jesus of Suburbia is really St. Jimmy, and Jimmy is "part of the main character that pretty much dies". In the album's final song, "Whatsername", Jesus of Suburbia loses his connection with Whatsername as well.
Stay tuned
Sunday, January 31, 2010
Taylor Swift wins Album of The Year at the Grammy Awards
The 2009 fairy tale story that is Taylor Swift continues in 2010. While Beyonce took home more Grammys than any female artist in Grammy history, Taylor Swift got three awards, including Album of The Year for the awesome Fearless.
Last year is seemed Taylor Swift could do no wrong, as she scored every award, major and not, that was in sight, including Country Music Entertainer of the Year.
At the Grammys, Taylor may have expected her long ride to end; it didn't. That should explain her wonderfully enthusiastic reaction to her award. (The video from that is not yet up as of this writing.)
Taylor Swift also had another dream come true when she got to perform with her childhood favorite, Stevie Nicks. The two performed songs from Fleetwood Mac and You Belong with Me, from Swift's Fearless album.
Stay tuned.
Last year is seemed Taylor Swift could do no wrong, as she scored every award, major and not, that was in sight, including Country Music Entertainer of the Year.
At the Grammys, Taylor may have expected her long ride to end; it didn't. That should explain her wonderfully enthusiastic reaction to her award. (The video from that is not yet up as of this writing.)
Taylor Swift also had another dream come true when she got to perform with her childhood favorite, Stevie Nicks. The two performed songs from Fleetwood Mac and You Belong with Me, from Swift's Fearless album.
Stay tuned.
Stephen Colbert's Opening Speech bombs at Grammy Awards
Stephen Colbert of The Colbert Report is hilarious and his show is an American Cultural treasure. But Stephen Colbert's opening speech at the 2010 Grammy Awards just plain bombed. Either Stephen Colbert was before the wrong audience or he had the wrong material.
Whatever the case, watching Colbert struggle through his almost four minutes of his common "let's play the out-of-touch conservative trying-to-be hip, but not" character hurt as much as having the needle of a flu shot driven into your arm.
It was that bad.
The only part that saved Stephen Colbert from being a totally awful opening was pulling his Apple iPad out of his suit. "Does this make me cool?" He asked Jay-Z, for whom he slightly annoyed with his "What up, Z?" question at the start of the disaster. The look on Jay-Z's face was enough to make Stephen Colbert's skin crawl, and that's where it went bad. Stephen Colbert never recovered from that.
Yes. The fact that Colbert was bombing was the "in joke" but it ventured too far into his bombing actually not being funny. Colbert's humor is perfect for events like the White House Correspondents Dinner, but it wasn't a good idea to have him give the opening speech at The Grammys. Watching someone who's so talented just major league bomb at The Grammys was not fun at all.
Whatever the case, watching Colbert struggle through his almost four minutes of his common "let's play the out-of-touch conservative trying-to-be hip, but not" character hurt as much as having the needle of a flu shot driven into your arm.
It was that bad.
The only part that saved Stephen Colbert from being a totally awful opening was pulling his Apple iPad out of his suit. "Does this make me cool?" He asked Jay-Z, for whom he slightly annoyed with his "What up, Z?" question at the start of the disaster. The look on Jay-Z's face was enough to make Stephen Colbert's skin crawl, and that's where it went bad. Stephen Colbert never recovered from that.
Yes. The fact that Colbert was bombing was the "in joke" but it ventured too far into his bombing actually not being funny. Colbert's humor is perfect for events like the White House Correspondents Dinner, but it wasn't a good idea to have him give the opening speech at The Grammys. Watching someone who's so talented just major league bomb at The Grammys was not fun at all.
Grammy Awards 2010: Beyonce performance wows the crowd
Beyonce's militaristic, head-banging performance was the Twitter talk of the 2010 Grammy Awards. Escorted by a group of black armored suit wearing dancers, Beyonce looked more like a super hot drill sergeant than a pop singer.
The design of Beyonce's performance brought up memories of Michael Jackson in This Is It performing HisTory. And it was very much like Emimen's 2002 MTV Music Awards performance of Slim Shady when he walked into Radio City Music Hall with an army of white men all dressed and cut to look just like him.
One thing you have to say: Beyonce is hot. No question about it. She's also the hottest Grammy winner, taking home six Grammys, the most by a female performer in one year.
The design of Beyonce's performance brought up memories of Michael Jackson in This Is It performing HisTory. And it was very much like Emimen's 2002 MTV Music Awards performance of Slim Shady when he walked into Radio City Music Hall with an army of white men all dressed and cut to look just like him.
One thing you have to say: Beyonce is hot. No question about it. She's also the hottest Grammy winner, taking home six Grammys, the most by a female performer in one year.
Grammy Awards 2010: Miley Cyrus greeting fans with her mom
YouTube user Michalyse was one of the fans at the Red Carpet for the 2010 Grammy Awards, when superstar singer Miley Cyrus walked in and came over to sign autographs.
Miley Cyrus, wearing a short black cocktail dress, was with her Mom Tish, and not her boyfriend Liam Hemsworth. (They're not engaged, but reportedly they are still dating. Still one wonders where he was.)
You can hear the crowd, which sounds like her demographic of females 13 to 17, screaming her name. It's a very good video uploaded rapidly.
Miley was a presenter at the 2010 Grammy Awards.
Miley Cyrus, wearing a short black cocktail dress, was with her Mom Tish, and not her boyfriend Liam Hemsworth. (They're not engaged, but reportedly they are still dating. Still one wonders where he was.)
You can hear the crowd, which sounds like her demographic of females 13 to 17, screaming her name. It's a very good video uploaded rapidly.
Miley was a presenter at the 2010 Grammy Awards.
Lady Gaga and Elton John get Grammy's started
The rumored and much anticipated Grammy Awards pairing of Lady Gaga and Sir Elton John happened, and go the Grammys off to a rousing start. Lady Gaga and Elton John are both piano wizards, so it was fitting that they produced a piano duet of a number of songs from past and present:
Sir Elton John had his own signature glitter glasses and both had a kind of "soot' makeup. Elton can still jam on the piano. It was cool: young and old, past and present, both massively brilliant.
Other performances that will be featured are Beyonce Rocks doing Alanis Morissette's 'You Oughta Know', Pink literally "up in the air" for 'Glitter in The Air', Taylor Swift And Stevie Nicks singing the Fleetwood Mac song Rhiannon, and Taylor Swift's You Belong With Me from her album Fearless.
Stay tuned.
Sir Elton John had his own signature glitter glasses and both had a kind of "soot' makeup. Elton can still jam on the piano. It was cool: young and old, past and present, both massively brilliant.
Other performances that will be featured are Beyonce Rocks doing Alanis Morissette's 'You Oughta Know', Pink literally "up in the air" for 'Glitter in The Air', Taylor Swift And Stevie Nicks singing the Fleetwood Mac song Rhiannon, and Taylor Swift's You Belong With Me from her album Fearless.
Stay tuned.
Zennie62 Widget beats SFGate Widget, approaching NY Times Widget
Last year, my friend Steve Kloft (who's a consultant to several top New Media companies), came to me by my surprise having already created a widget for me called "The Zennie Abraham Widget". The best thing is I never asked for it or even thought of it. It was Steve's creation; his idea to promote me.
That's a friend.
Steve was then and still is now a consultant to WidgetBox, which I later featured in a video on the firm here:
That's a friend.
Steve was then and still is now a consultant to WidgetBox, which I later featured in a video on the firm here:
Subscribe to:
Posts (Atom)