Showing posts with label merv griffin. Show all posts
Showing posts with label merv griffin. Show all posts

Monday, June 23, 2008

George Carlin - 1937 to 2008 R.I.P. - Zeitgeist Loses A Signpost

This is too hard for me to write about. George Carlin is a living legend. Here's Mr. Carlin talks about politicians and voting:



I grew up with George Carlin. This is the obt from the NY Times:

George Carlin, Comic Who Chafed at Society and Its Constraints, Dies at 71

By MEL WATKINS and BRUCE WEBER
Published: June 24, 2008
George Carlin, whose astringent stand-up comedy made him an heir of Lenny Bruce, who gave voice to an indignant counterculture and assaulted the barricades of censorship on behalf of a generation of comics that followed him, died on Sunday in Santa Monica, Calif. He was 71 and lived in Venice, Calif.

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NBC, via Associated Press
George Carlin served as host of the "Saturday Night Live" debut in 1975. More Photos »
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George Carlin, 1937-2008
Related
An Appraisal: A Master of Words, Including Some You Can’t Use (June 24, 2008)

George Carlin Didn’t Shun School That Ejected Him (June 24, 2008)

TV Decoder: George Carlin’s Televised Stage (June 23, 2008)

Times Topics: George Carlin

Interview: Refusing to Coast on 7 Infamous Words (Nov. 4, 2005)

Blogrunner: Reactions From Around the Web

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Vincent Laforet/The New York Times
George Carlin at the Rihga Royal Hotel in Manhattan in 2004. More Photos >
The cause was heart failure, said his publicist, Jeff Abraham. Mr. Carlin, who performed earlier this month at the Orleans hotel in Las Vegas, had a history of heart problems.

“By and large, language is a tool for concealing the truth,” read a message on Mr. Carlin’s Web site, GeorgeCarlin.com, and he spent much of his life in a fervent effort to counteract the forces that would have it so. In his always irreverent, often furious social commentary, in his observations of the absurdities of everyday life and language, and in groundbreaking routines like the profane “Seven Words You Can Never Say on Television,” he took aim at what he thought of as the palliating and obfuscating agents of American life — politicians, advertisements, religion, the media and conventional thinking of all stripes.

“If crime fighters fight crime and firefighters fight fire, what do freedom fighters fight?” he asked in a 1980s routine, taking a jab at the Reagan administration’s defense of the Nicaraguan Contras.

During a career that spanned five decades, Mr. Carlin emerged as one of the most popular, durable, productive and versatile comedians of his era. He evolved from Jerry Seinfeld-like whimsy and a buttoned-down decorum in the ’60s to counterculture hero in the ’70s.

By the ’80s, he was known as a scathing social critic, wringing laughs from the verbal tics of contemporary language like the oxymoron “jumbo shrimp” (and finding another oxymoron in the term “military intelligence”) and poking fun at pervasive national attitudes. He used the ascent of football’s popularity at the expense of the game he loved, baseball, to make the point that societal innocence had been lost forever.

“Baseball is a 19th-century pastoral game,” he said. “Football is a 20th-century technological struggle. Baseball is played on a diamond, in a park. The baseball park! Football is played on a gridiron, in a stadium sometimes called Soldier Field or War Memorial Stadium.”

Through the 1990s and into the 21st century, Mr. Carlin, balding but still pony-tailed, prowled the stage — eyes ablaze with intensity — as the comedy circuit’s most splenetic curmudgeon, raging over the shallowness of a “me first” culture; mocking the infatuation with camcorders, hyphenated names and sneakers with lights on them; lambasting white guys over 10 years old who wear their baseball hats backwards, baby boomers “who went from ‘do your thing’ to ‘just say no’ ” and “from cocaine to Rogaine”; and foes of abortion rights. “How come when it’s us it’s an abortion,” he asked, “and when it’s a chicken it’s an omelet?”

George Denis Carlin was born in New York City on May 12, 1937. His mother, Mary, a secretary, separated from his father when he was an infant, and he grew up with his mother and his older brother, Patrick, on West 121st Street in Manhattan.

“I grew up in New York wanting to be like those funny men in the movies and on the radio,” Mr. Carlin said. “My grandfather, mother and father were gifted verbally, and my mother passed that along to me. She always made sure I was conscious of language and words.”

He dropped out of high school and joined the Air Force, and while stationed in Shreveport, La., he worked as a radio disc jockey. Discharged in 1957, he moved to Boston for a radio announcer’s job, then to Fort Worth, where he was a D.J.

Along the way he met Jack Burns, a newscaster and comedian. They worked together in Fort Worth and Los Angeles, performing on the radio and in clubs and even appearing on “The Tonight Show” with Jack Paar. The comedian Mort Sahl, whose penchant for social commentary Mr. Carlin came to share, dubbed them “a duo of hip wits.”

Still, the Carlin-Burns team was only moderately successful, and, in 1960, Mr. Carlin struck out on his own.

He made his first television solo guest appearance on “The Tonight Show” in 1962, in the interim between Paar’s departure and Johnny Carson’s arrival; the host that night was Mr. Sahl. His second wasn’t until 1965, when he made the first of 29 appearances on “The Merv Griffin Show.”

At that time, he was primarily known for his clever wordplay and reminiscences of his Irish working-class upbringing in New York. But there were intimations of an anti-establishment edge. It surfaced, for example, in a parody of television newscasts, for which he invented characters like Al Sleet, “the “hippy-dippy weatherman”: “Tonight’s forecast: Dark. Continued mostly dark tonight turning to widely scattered light in the morning.”

Mr. Carlin released his first comedy album, “Take-Offs and Put-Ons,” to rave reviews in 1967. He also dabbled in acting, winning a recurring part as Marlo Thomas’s theatrical agent in the 1960s sitcom “That Girl” and a supporting role in the 1968 movie “With Six You Get Eggroll.” He made more than 80 major television appearances during that time, including on the Ed Sullivan Show and Johnny Carson’s “Tonight Show”; he was also regularly featured at nightclubs in New York and Las Vegas.

He was one of America’s most popular comedians, but as the convulsive decade of 1960s ended, he’d had enough of what he considered a dinky and hollow success.

“I was entertaining the fathers and the mothers of the people I sympathized with, and in some cases associated with, and whose point of view I shared,” he recalled later, as quoted in the book “Going Too Far” by Tony Hendra (Doubleday, 1987). “I was a traitor, in so many words. I was living a lie.” ...more.


George Carlin on white people



This is totally funny. Listen carefully to what he says in this video:

Sunday, August 12, 2007

Merv Griffin Passes On Of Prostate Cancer - 82 Years Old - CNN.com

LOS ANGELES, California (AP) -- Merv Griffin, the entertainer turned impresario who parlayed his "Jeopardy" and "Wheel of Fortune" game shows into a multimillion-dollar empire, has died. He was 82.


Merv Griffin, 82, died of prostate cancer Sunday, according to a spokeswoman. He was 82.

Griffin died of prostate cancer, according to a statement from his family that was released by Marcia Newberger, spokeswoman for The Griffin Group/Merv Griffin Entertainment.

From his beginning as a $100-a-week San Francisco, California, radio singer, Griffin moved on as vocalist for Freddy Martin's band, sometime film actor and TV game and talk show host. His "The Merv Griffin Show" lasted more than 20 years, and Griffin said his capacity to listen contributed to his success.

"If the host is sitting there thinking about his next joke, he isn't listening," Griffin reasoned in a recent interview.

But his biggest break financially came from inventing and producing "Jeopardy" in the 1960s and "Wheel of Fortune" in the 1970s.

After they became the hottest game shows in television, Griffin sold the rights to them to the Columbia Pictures Television Unit for $250 million, retaining a share of the profits. He started spreading the sale money around in treasury bonds, stocks and other investments.

He made Forbes' list of richest Americans several times, but he went into real estate and other ventures because "I was never so bored in my life."

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"I said, 'I'm not going to sit around and clip coupons for the rest of my life,' " he recalled in 1989. "That's when Barron Hilton said, 'Merv, do you want to buy the Beverly Hilton?' I couldn't believe it."

Griffin bought the slightly passe hotel for $100.2 million and completely refurbished it for $25 million. Then he made a move for control of Resorts International, which operated hotels and casinos from Atlantic City to the Caribbean.

That touched off a feud with real estate tycoon Donald Trump. Griffin eventually acquired Resorts for $240 million, netting a reported paper profit of $100 million.

"I love the gamesmanship," he told Life magazine in 1988. "This may sound strange, but it parallels the game shows I've been involved in."

It was in 1948 that Martin hired Griffin to join his band at Los Angeles' Coconut Grove at $150 a week. With Griffin doing the singing, the band had a smash hit with "I've Got a Lovely Bunch of Coconuts," a 1949 novelty song sung in a cockney accent.

The band was playing in Las Vegas, Nevada, when Doris Day and her producer husband, Marty Melcher, were in the audience. They recommended him to Warner Bros., which offered a contract. After a bit in "By the Light of the Silvery Moon," starring Day and Gordon MacRae, he had a bigger role with Kathryn Grayson in "So This Is Love." A few more trivial roles followed, then he asked out of his contract.

In 1954, Griffin went to New York where he appeared in a summer replacement musical show on CBS-TV, a revival of "Finian's Rainbow," and a music show on CBS Radio. He followed with a few game show hosting jobs on TV, notably "Play Your Hunch," which premiered in 1958 and ran through the early 1960s. His glibness led to stints as substitute for Jack Paar on "Tonight."

When Paar retired in 1962, Griffin was considered a prime candidate to replace him. Johnny Carson was chosen instead. NBC gave Griffin a daytime version of "Tonight," but he was canceled for being "too sophisticated" for the housewife audience.

In 1965, Westinghouse Broadcasting introduced "The Merv Griffin Show" in syndicated TV. At last Griffin had found the forum for his talents. He never underestimated the intelligence of his audience, offering such figures as philosopher Bertrand Russell, Pablo Casals and Will and Ariel Durant as well as movie stars and entertainers.

With Carson ruling the late-night roost on NBC in the late 1960s, the two other networks challenged him with competing shows, Griffin on CBS, Joey Bishop (later Dick Cavett) on ABC. Nothing stopped Carson, and Griffin returned to Westinghouse.

Meanwhile, Griffin sought new enterprises for his production company. A lifelong crossword puzzle fan, he devised a game show "Word for Word," in 1963. It faded after one season, then his wife, Julann, suggested another show.

"Julann's idea was a twist on the usual question-answer format of the quiz shows of the '50s," he wrote in his autobiography "Merv." "Her idea was to give the contestants the answer, and they had to come up with the appropriate question."

"Jeopardy," begun in 1964, became a huge moneymaker for Griffin, as did a more conventional game show, "Wheel of Fortune," starting in 1975.

Mervyn Edward Griffin Jr. was born in San Mateo, south of San Francisco on July 6, 1925, the son of a stockbroker. His aunt, Claudia Robinson, taught him to play piano at age 4, and soon the boy was staging shows on the back porch of the family home.

"Every Saturday I had a show, recruiting all the kids in the block as either stagehands, actors and audience, or sometimes all three," he wrote in his 1980 autobiography. "I was the producer, always the producer."

After studying at San Mateo Junior College and the University of San Francisco, Griffin quit school to apply for a job as pianist at radio station KFRC in San Francisco. The station needed a vocalist instead. He auditioned and was hired.

Griffin was billed as "the young romantic voice of radio." He attracted the interest of RKO studio boss William Dozier, who was visiting San Francisco with his wife, Joan Fontaine.

"As soon as I walked in their hotel room, I could see their faces fall," the singer recalled. He weighed 235 pounds. Shortly afterward, singer Joan Edwards told him: "Your voice is terrific, but the blubber has got to go." Griffin slimmed down, and he would spend the rest of his life adding and taking off weight.

Griffin and Julann Elizabeth Wright were married in 1958, and a son, Anthony, was born the following year. The couple divorced in 1973 because of "irreconcilable differences."

"It was a pivotal time in my career, one of uncertainty and constant doubt," he wrote in the autobiography. "So much attention was being focused on me that my marriage felt the strain." He never remarried.