Saturday, March 06, 2010
The Oscars - The Red Carpet has black version of District 9
Saturday before Oscar Sunday and the 82nd Annual 2010 Academy Awards is setup day on The Red Carpet. Media representing hundreds of outlets are here on The Red Carpet, but what's shocking is that in 2010 - in the 21st Century - The Academy Awards has its own version of District 9. In this case, three African American media outlets are all grouped in one place near the very end of The Red Carpet: BET, TV One, and American Urban Radio.
This came to light during my video interview with Jamal Finkely and Mike Melendy of Blacktree TV. It was Jamal, who's also doing double duty with another media outlet, who brought the issue to my attention. As an aside, Jamal's a YouTube Partner I met at the YouTube Partners Roundtable of last November 2009.
Jamal and his associate Mike Melendy cover entertainment events at Blacktree.tv and at their companion YouTube channel Blacktreemedia. While happy to be on The Red Carpet, the physical placement of the three black media firms together in one remote area was something that had to be mentioned.
The Academy of Motion Picture Arts and Sciences (AMPAS), or more accurately someone working for AMPAS and perhaps unchecked, set up the media organization to have what is The Red Carpet's version of the alien ghetto in the 2010 Best Picture nominee movie District 9.
In District 9, aliens from a ship that had become "stuck" in position over Johannesburgh, South Africa, were segregated by the government to one place called "District 9". Hopefully there's not a Latino section or any other kind of racial or ethnic divisions along The Red Carpet for The Oscars. We didn't look from that perspective; the area Jamal pointed to is the one he works in.
AMPAS must end this practice ASAP. It's shocking to think that an organization which has such a large public presence and exists in the 21st Century would segregate media in this way. Moreover, it's terrible that AMPAS' overall media approach is so very antiquated.
If AMPAS is happy with the media coverage it's getting for The Academy Awards, it has no idea of what's possible and what it should expect today. There's no place for bloggers or vloggers and no "Big Tent" for New Media. No collaboration with firms like YouTube, Flickr, or Twitter or Google.
What's going on at AMPAS in this New Media area is the question for this day. If the New Media problem's taken care of, the apparent racial discrimination problem on The Red Carpet will end too. Or it should.
Stay tuned.
Oscar Buzz: American Idol's Ryan Seacrest at the Renaissance Hollywood Hotel
Ryan Seacrest, host of American Idol and Executive Producer of "On the Air with Ryan Seacrest, appeared at the Renaissance Hollywood Hotel for a what seemed to be a New York minute as this blogger was collecting himself from the Hollywood and Highland slip and fall and making new blog posts.
Still, shaken marbles weren't enough to stop me from having the presence of mind to stop uploading a video and turn the camcorder to capture Seacreast as he was doing "photo-ops" with fans.
The desired focus here is video, so I asked Mr. Seacrest for an interview later rather than throwing my camcorder in his face TMZ-style. Nothing against TMZ, it's just not what's done in this space.
Ryan Seacrest is known as the hardest-working person in Hollywood. He's the host of American Idol. The executive producer of On The Air with Ryan Seacrest, and The Dick Clark New Year's Rockin Eve with Ryan Seacrest.
Stay tuned.
Zennie's slip and fall on way to Oscar Red Carpet for press conference
Hollywood and Highland is the place where the Kodak Theater is which is the location of Sunday's Oscar telecast and The Red Carpet. The pavement next to The Red Carpet that's used for pedestrians and has the Hollywood Stars on it, is of some kind of tarrazo material such that during a rain it gets so slippery that it's dangerous.
I should know because as I explained in the video, I fell twice.
The first time I slipped as I was walking onto the pavement after crossing Highland Avenue to get to a press conference announcing the winner of the Academy of Motion Picture Arts and Sciences and MTV-U student competition to be the interviewer on The Red Carpet Sunday. I managed to catch myself that time as I was falling backwards. After that, I tried to walk carefully and slowly. A lot of good that did.
On my slippery way to the press event, I had an idea to turn back and make a quick video to explain to someone to take steps to prevent someone from falling the way I did. I turned and then took two steps onto the pavement and the next thing I saw was black. I felt like I was alive in a black tunnel, then saw light, then a security person asking me if I wanted help from the end of the tunnel. I said "yes" and reached out. I felt a number of people grab me at once and pulled me up; at that point I fought to clear my head, and did.
It was scary. What happened was I'd slipped and fell back; my head hit the steel plate of a steel girder that was part of the support structure for The Red Carpet.
What went through my head, which is still now a bit fuzzy as I concentrate to write this, was how much I needed to stay alive for my Mother as I'm the only child. That was what made me fight to get back to normal and once I did, I resolved to try to return to normal, so I headed for the press conference. But I was, and am not, the same.
Beyond me, someone should do something about that pavement. I was told several people fell, and met the mother of a little girl who told me her daughter fell. Reportedly, the property in question belongs to the City of Los Angeles, so I'm going to tweet this over to Mayor Vililaragosa and bring it to his attention, especially since he follows me on Twitter.
I want to take this time to thank the security staff at Hollywood and Highland for their care and assistance.
It's one thing for this to happen today, but it would be a disaster if it were to happen on Oscar Sunday. Pray for no rain.
The Oscars: Danny Glover calling on boycott of Hugo Boss suits
As Sundays Oscars approaches, we'll see styles that set the trend for the year and some wearing traditional brands, like Hugo Boss. Actor Danny Glover's not going to be one of them and he's issuing a call to celebrities like Sean Penn, who's presenting and Oscar nominees Colin Firth, Matt Damon, and Quentin Tarantino, to name just some of the male actors, not to wear Hugo Boss suits.
In a letter, Danny Glover says that he's writing to take a "small stand" for American workers. Hugo Boss is reportedly set to close American plants and fire "more than 300 workers".
According to the SEIU Workers United...
It's clear that the one major cause of America's economic decline has bee the offshoring of jobs. This blogger estimates that $976 billion in wealth has been lost in over 30 years of this process; over $400 billion over the last eight years. Some economists have pointed to the sub-prime loan system as the reason for America's problems, but it takes a job to pay a loan. The real problem has been that the rate of growth in the number American jobs has been negative, not positive.
No word on the reaction of Oscar stars to the boycott of Hugo Boss by Danny Glover.
Stay tuned.
In a letter, Danny Glover says that he's writing to take a "small stand" for American workers. Hugo Boss is reportedly set to close American plants and fire "more than 300 workers".
According to the SEIU Workers United...
They say they want to make suits more cheaply in Turkey or Eastern Europe. They don’t even claim the Cleveland factory is losing money -- they just say they need to make a bit more money. Please.
It's clear that the one major cause of America's economic decline has bee the offshoring of jobs. This blogger estimates that $976 billion in wealth has been lost in over 30 years of this process; over $400 billion over the last eight years. Some economists have pointed to the sub-prime loan system as the reason for America's problems, but it takes a job to pay a loan. The real problem has been that the rate of growth in the number American jobs has been negative, not positive.
No word on the reaction of Oscar stars to the boycott of Hugo Boss by Danny Glover.
Stay tuned.
Oscars predictions: The Hurt Locker beats Avatar for Best Picture
Also: The Oscars, The Hurt Locker, Best Picture, Kathryn Bigelow, 2010 Oscars Predictions, 82nd annual Academy Awards, Avatar director James Cameron
Beverly Hills, CA - The general habit here is to wait until the last possible minute until predictions for The Oscars are made. That's to give this blogger enough time to research how politics has impacted the Oscars race.
The question is annually asked "Did you see every movie?" which has nothing to do with predicting which movie will win what award at The Oscars. Getting one's Oscar predictions correct means taking one's heart out of it, and just using their head. What you have to do is guess how the Academy's going to pick and why.
The Hurt Locker is a dramatically powerful film. So much so that an arguably questionable decision to ban Nicolas Chartier, one of the fllm's producers, from the Oscars on Sunday for an email he wrote to friends in the Academy asking them to vote for his picture, will not hurt its momentum.
The reason is the overwhelming desire to give the Best Director Award to The Hurt Locker's brilliant director Kathryn Bigelow, and make her the first woman in history to win an Oscar for Best Director. The momentum to make this happen is enormous, so much so that I'm going out on a limb and say there's no contest. And The Academy tends to believe that a film can't have the best director and not be the best picture. This powerful desire will override the new-for-2010 preference voting system and give The Hurt Locker the prize.
Now, with that information in place and compared with "precursor" awards, here's Zennie62's Oscar Predictions for 2010:
Performance by an actor in a leading role: Jeff Bridges in Crazy Heart
Performance by an actor in a supporting role: Christoph Waltz in Inglourious Basterds
Performance by an actress in a leading role: Sandra Bullock in The Blind Side
Performance by an actress in a supporting role: Mo'Nique in Precious
Best animated feature film of the year: Disney / Pixar's UP
Achievement in art direction: Avatar
Achievement in cinematography: Avatar
Achievement in costume design: Coco before Chanel
Achievement in directing: The Hurt Locker Kathryn Bigelow
Best documentary feature: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Best documentary short subject: The Last Truck: Closing of a GM Plant
Achievement in film editing: Avatar
Best foreign language film of the year: The White Ribbon
Achievement in makeup: Star Trek
Achievement in music written for motion pictures (Original score): Up
Achievement in music written for motion pictures (Original song): "Down in New Orleans" from The Princess and the Frog, Randy Newman
Best motion picture of the year: The Hurt Locker
Best animated short film: A Matter of Loaf and Death (Nick Park of Aardman)
Best live action short film: The New Tenants
Achievement in sound editing: Star Trek
Achievement in sound mixing: Star Trek
Achievement in visual effects: Avatar
Adapted screenplay: Up in the Air
Original screenplay: The Hurt Locker
Beverly Hills, CA - The general habit here is to wait until the last possible minute until predictions for The Oscars are made. That's to give this blogger enough time to research how politics has impacted the Oscars race.
The question is annually asked "Did you see every movie?" which has nothing to do with predicting which movie will win what award at The Oscars. Getting one's Oscar predictions correct means taking one's heart out of it, and just using their head. What you have to do is guess how the Academy's going to pick and why.
The Hurt Locker is a dramatically powerful film. So much so that an arguably questionable decision to ban Nicolas Chartier, one of the fllm's producers, from the Oscars on Sunday for an email he wrote to friends in the Academy asking them to vote for his picture, will not hurt its momentum.
The reason is the overwhelming desire to give the Best Director Award to The Hurt Locker's brilliant director Kathryn Bigelow, and make her the first woman in history to win an Oscar for Best Director. The momentum to make this happen is enormous, so much so that I'm going out on a limb and say there's no contest. And The Academy tends to believe that a film can't have the best director and not be the best picture. This powerful desire will override the new-for-2010 preference voting system and give The Hurt Locker the prize.
Now, with that information in place and compared with "precursor" awards, here's Zennie62's Oscar Predictions for 2010:
Performance by an actor in a leading role: Jeff Bridges in Crazy Heart
Performance by an actor in a supporting role: Christoph Waltz in Inglourious Basterds
Performance by an actress in a leading role: Sandra Bullock in The Blind Side
Performance by an actress in a supporting role: Mo'Nique in Precious
Best animated feature film of the year: Disney / Pixar's UP
Achievement in art direction: Avatar
Achievement in cinematography: Avatar
Achievement in costume design: Coco before Chanel
Achievement in directing: The Hurt Locker Kathryn Bigelow
Best documentary feature: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Best documentary short subject: The Last Truck: Closing of a GM Plant
Achievement in film editing: Avatar
Best foreign language film of the year: The White Ribbon
Achievement in makeup: Star Trek
Achievement in music written for motion pictures (Original score): Up
Achievement in music written for motion pictures (Original song): "Down in New Orleans" from The Princess and the Frog, Randy Newman
Best motion picture of the year: The Hurt Locker
Best animated short film: A Matter of Loaf and Death (Nick Park of Aardman)
Best live action short film: The New Tenants
Achievement in sound editing: Star Trek
Achievement in sound mixing: Star Trek
Achievement in visual effects: Avatar
Adapted screenplay: Up in the Air
Original screenplay: The Hurt Locker
Anquan Boldin signed by Baltimore Ravens; Oakland Raiders need him
Anquan Boldin, a fast yet powerful and sure handed, angry-running NFL wide receiver, was acquired in a trade from the Arizona Cardinals to the Baltimore Ravens during the NFL Free Agency period. The move is yet another score in the storied career of Ravens General Manager Ozzie Newsome.
The Ravens gave their third-round and fourth-round draft choices in the 2010 NFL Draft to the Cardinals for Boldin and a fifth-round pick in the same draft. But it's the Oakland Raiders who needed, and should have got, Anquan Boldin.
Of all NFL teams, the Oakland Raiders lack an experienced deep threat, sure handed wide receiver who's feared in the NFL. There's no one pass-catcher on the Oakland Raiders squad that has been effective for the Oakland Raiders. And while much of the problem is due to poor coaching in the passing game, Raiders receivers have done little when they've caught the ball.
Anquan Boldin would have been the perfect player around which to rebuild the Oakland Raiders passing game. But the Baltimore Ravens got him first.
The Ravens gave their third-round and fourth-round draft choices in the 2010 NFL Draft to the Cardinals for Boldin and a fifth-round pick in the same draft. But it's the Oakland Raiders who needed, and should have got, Anquan Boldin.
Of all NFL teams, the Oakland Raiders lack an experienced deep threat, sure handed wide receiver who's feared in the NFL. There's no one pass-catcher on the Oakland Raiders squad that has been effective for the Oakland Raiders. And while much of the problem is due to poor coaching in the passing game, Raiders receivers have done little when they've caught the ball.
Anquan Boldin would have been the perfect player around which to rebuild the Oakland Raiders passing game. But the Baltimore Ravens got him first.
Rodney Stuckey: prayers for Rodney Stuckey after apparent seizure
Detroit Pistons point guard Rodney Stuckey is receiving prayers and well-wishings from the entire sports World after suffering from an apparent seizure during the Pistons game against the Cleveland Cavaliers Friday night.
Cav star LeBron James said to the Detroit Free Press "The game is much bigger than players, coaches and fans. Tonight was a game between Cleveland and Detroit, but when an instance like that happens, we all become one family. All of our prayers are with Rodney Stuckey and his family."
Rodney Stuckey reportedly collapsed behind the Pistons' bench during a time-out at 2:30 left in the third quarter. Stuckey was said to be fine after receiving medical attention.
Cav star LeBron James said to the Detroit Free Press "The game is much bigger than players, coaches and fans. Tonight was a game between Cleveland and Detroit, but when an instance like that happens, we all become one family. All of our prayers are with Rodney Stuckey and his family."
Rodney Stuckey reportedly collapsed behind the Pistons' bench during a time-out at 2:30 left in the third quarter. Stuckey was said to be fine after receiving medical attention.
The Hurt Locker: Best Picture - 2010 Oscar Predictions
Also: Hurt Locker, Best Picture, 2010 Oscar Predictions, 82nd annual Academy Awards
Beverly Hills, CA - The general habit here is to wait until the last possible minute until Oscar Predictions are filed. That's to give this blogger enough time to research how politics has impacted the Oscar race.
The question is annually asked "Did you see every movie?" which has nothing to do with predicting which movie will win what award. Getting one's predictions correct means taking one's heart out of it, and just using their head. What you have to do is guess how the Academy's going to pick and why.
The Hurt Locker is a dramatically powerful film. So much so that an arguably questionable decision to ban Nicolas Chartier, one of the fllm's producers, from the Oscars on Sunday for an email he wrote to friends in the Academy asking them to vote for his picture, will not hurt its momentum.
The reason is the overwhelming desire to give the Best Director Award to The Hurt Locker's brilliant director Kathryn Bigelow, and make her the first woman in history to win an Oscar for Best Director. The momentum to make this happen is enormous, so much so that I'm going out on a limb and say there's no contest. And The Academy tends to believe that a film can't have the best director and not be the best picture. This powerful desire will override the new-for-2010 preference voting system and give The Hurt Locker the prize.
Now, with that information in place and compared with "precursor" awards, here's Zennie62's Oscar Predictions for 2010:
Performance by an actor in a leading role: Jeff Bridges in Crazy Heart
Performance by an actor in a supporting role: Christoph Waltz in Inglourious Basterds
Performance by an actress in a leading role: Sandra Bullock in The Blind Side
Performance by an actress in a supporting role: Mo'Nique in Precious
Best animated feature film of the year: Disney / Pixar's UP
Achievement in art direction: Avatar
Achievement in cinematography: Avatar
Achievement in costume design: Coco before Chanel
Achievement in directing: The Hurt Locker Kathryn Bigelow
Best documentary feature: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Best documentary short subject: The Last Truck: Closing of a GM Plant
Achievement in film editing: Avatar
Best foreign language film of the year: The White Ribbon
Achievement in makeup: Star Trek
Achievement in music written for motion pictures (Original score): Up
Achievement in music written for motion pictures (Original song): "Down in New Orleans" from The Princess and the Frog, Randy Newman
Best motion picture of the year: The Hurt Locker
Best animated short film: A Matter of Loaf and Death (Nick Park of Aardman)
Best live action short film: The New Tenants
Achievement in sound editing: Star Trek
Achievement in sound mixing: Star Trek
Achievement in visual effects: Avatar
Adapted screenplay: Up in the Air
Original screenplay: The Hurt Locker
Beverly Hills, CA - The general habit here is to wait until the last possible minute until Oscar Predictions are filed. That's to give this blogger enough time to research how politics has impacted the Oscar race.
The question is annually asked "Did you see every movie?" which has nothing to do with predicting which movie will win what award. Getting one's predictions correct means taking one's heart out of it, and just using their head. What you have to do is guess how the Academy's going to pick and why.
The Hurt Locker is a dramatically powerful film. So much so that an arguably questionable decision to ban Nicolas Chartier, one of the fllm's producers, from the Oscars on Sunday for an email he wrote to friends in the Academy asking them to vote for his picture, will not hurt its momentum.
The reason is the overwhelming desire to give the Best Director Award to The Hurt Locker's brilliant director Kathryn Bigelow, and make her the first woman in history to win an Oscar for Best Director. The momentum to make this happen is enormous, so much so that I'm going out on a limb and say there's no contest. And The Academy tends to believe that a film can't have the best director and not be the best picture. This powerful desire will override the new-for-2010 preference voting system and give The Hurt Locker the prize.
Now, with that information in place and compared with "precursor" awards, here's Zennie62's Oscar Predictions for 2010:
Performance by an actor in a leading role: Jeff Bridges in Crazy Heart
Performance by an actor in a supporting role: Christoph Waltz in Inglourious Basterds
Performance by an actress in a leading role: Sandra Bullock in The Blind Side
Performance by an actress in a supporting role: Mo'Nique in Precious
Best animated feature film of the year: Disney / Pixar's UP
Achievement in art direction: Avatar
Achievement in cinematography: Avatar
Achievement in costume design: Coco before Chanel
Achievement in directing: The Hurt Locker Kathryn Bigelow
Best documentary feature: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Best documentary short subject: The Last Truck: Closing of a GM Plant
Achievement in film editing: Avatar
Best foreign language film of the year: The White Ribbon
Achievement in makeup: Star Trek
Achievement in music written for motion pictures (Original score): Up
Achievement in music written for motion pictures (Original song): "Down in New Orleans" from The Princess and the Frog, Randy Newman
Best motion picture of the year: The Hurt Locker
Best animated short film: A Matter of Loaf and Death (Nick Park of Aardman)
Best live action short film: The New Tenants
Achievement in sound editing: Star Trek
Achievement in sound mixing: Star Trek
Achievement in visual effects: Avatar
Adapted screenplay: Up in the Air
Original screenplay: The Hurt Locker
Friday, March 05, 2010
Tim McGraw, Faith Hill, Brett Favre, and Ray Lewis in Beverly Hills
Beverly Hills, CA - The 82nd Annual Academy Awards, like the other Oscars before it, really sends this already moneyed place into a another gear. If you like people, glamour, beauty, good food, fine cars, entrepreneurs, movies, and the Oscars, Hollywood and Beverly Hills is for you. This is a place that - forgive this blogger's first time eyes - seems to not know it's an economic downturn.
Or more accurately, it doesn't want to get the bad news. It's a place where Tim McGraw, Faith Hill, Minnesota Vikings QB Brett Favre, and Baltimore Ravens Linebacker Ray Lewis were spotted Thursday night (not by me but according to a source) at my new favorite place for steak: Maestro's Steakhouse. (And for anyone wondering, they don't sponsor this space, yet.)
What Tim McGraw, Faith Hill, Brett Favre, and Ray Lewis were doing here in Beverly Hills during Oscar weekend was not known, but my source says that Ray Lewis has a house in the area. One guess is that celebrities get invited to the big parties that other celebs throw, so they go to them. That party was at an incredible eatery.
Wow, what an incredible rib-eye steak I had at Maestro's Steakhouse after having drinks, some with alcohol and some not, with my friend Paul Pollack and his wife. Paul was a regular at The Balboa Cafe in San Francisco where he met the woman who became his lovely wife over a decade ago. Now they have a little one and live outside California.
After they left for their next appointment, I enjoyed the best steak I've ever had in my life, and only the 22-ounce Alley Steak (off the menu at The Alley in Oakland) can match it, but not top it. That plus a bed of mashed potatoes, steamed spinach, and a great glass of merlot and that was it.
Coming here to work media for the Oscars is an experience best shared with someone. There's just too much to literally look at, from the newest Rolls Royce motorcars, to women with a lift here, a tuck there, and a tan - real and manufactured. There's a good and healthy number of people of color here and everyone mixes very well.
What's so funny is that people seem to look at each other as of they're on the constant watch for a celebrity, and the place is crawling with photogs. That's the funniest part of being here. But people do engage with each other - they talk.
Hollywood and Beverly Hills has a pulse and it's not because of the Oscars, but it gave birth to The Oscars. I'm not one to want to live here as the urban design is not something I can embrace, but this part of LA, for anyone who's a pop culture junky like this blogger, is intoxicating.
Stay tuned.
Or more accurately, it doesn't want to get the bad news. It's a place where Tim McGraw, Faith Hill, Minnesota Vikings QB Brett Favre, and Baltimore Ravens Linebacker Ray Lewis were spotted Thursday night (not by me but according to a source) at my new favorite place for steak: Maestro's Steakhouse. (And for anyone wondering, they don't sponsor this space, yet.)
What Tim McGraw, Faith Hill, Brett Favre, and Ray Lewis were doing here in Beverly Hills during Oscar weekend was not known, but my source says that Ray Lewis has a house in the area. One guess is that celebrities get invited to the big parties that other celebs throw, so they go to them. That party was at an incredible eatery.
Wow, what an incredible rib-eye steak I had at Maestro's Steakhouse after having drinks, some with alcohol and some not, with my friend Paul Pollack and his wife. Paul was a regular at The Balboa Cafe in San Francisco where he met the woman who became his lovely wife over a decade ago. Now they have a little one and live outside California.
After they left for their next appointment, I enjoyed the best steak I've ever had in my life, and only the 22-ounce Alley Steak (off the menu at The Alley in Oakland) can match it, but not top it. That plus a bed of mashed potatoes, steamed spinach, and a great glass of merlot and that was it.
Coming here to work media for the Oscars is an experience best shared with someone. There's just too much to literally look at, from the newest Rolls Royce motorcars, to women with a lift here, a tuck there, and a tan - real and manufactured. There's a good and healthy number of people of color here and everyone mixes very well.
What's so funny is that people seem to look at each other as of they're on the constant watch for a celebrity, and the place is crawling with photogs. That's the funniest part of being here. But people do engage with each other - they talk.
Hollywood and Beverly Hills has a pulse and it's not because of the Oscars, but it gave birth to The Oscars. I'm not one to want to live here as the urban design is not something I can embrace, but this part of LA, for anyone who's a pop culture junky like this blogger, is intoxicating.
Stay tuned.
Oscar Buzz: Students compete to be The Red Carpet Interviewer at The Oscars
If you're a regular follower of this blog, you remember the three college student groups who were selected as finalists in the Academy of Motion Picture Arts and Sciences (AMAPAS) and MTV-U competition to be an interviewers on the Red Carpet on Oscar Sunday for the Academy Awards.
Today, I had the pleasure of meeting and video-interviewing the three groups of six students as they happened to be on the Red Carpet with AMPAS officials. They are every bit as nice and charming in person as they come across on their videos and in my video.
Original videos here: MTV-U contest.
To recap, Rachel Berry (anchor) and Christian Hartnett (videographer) represent Chapman University in Orange, CA; Terry Stackhouse (anchor) and Zach Cusson (videographer) are from Emerson College, in Boston; Brandon McCaskill (anchor) and Kiarra Hart (videographer) are from Florida A&M University in Tallahassee, Florida. The front runners in the competition are the Chapman U students who got 52 percent of the online vote at the time of my first blog post. But that written, there was only about two percent separating the three teams.
As you can see in the video, they're all very fun and good natured people who know that they represent AMPAS as much as they represent their colleges. I asked all of them what they would say to Tom Cruise and got some interesting responses as the video shows.
I like all of the students both professionally and personally, but if I had to pick one anchor, Rachel Berry just has that "Mary Hart" star quality, and even Brandon McCaskill liked her work and came to her defense to express his opinion when I teased her about coming up with a corny video (the the first blog post). Rachel Berry was well put together in what looked to be a black Donna Karan dress (I'll double check that one.) All of the videographers were quite talented and their styles were so different it's hard to pick a "best one".
The final announcement of the winner will be tomorrow morning at 10 AM on The Red Carpet at Kodak Theater. I'll be there to talk to everyone and will post more videos.
Meanwhile, good luck to all of the folks! See you Saturday!
And follow my Twitter tweets from LA at Zennie62.com
Oscar Friday: on The Academy Awards, social nets, Twitter and ratings
Also: the Oscars, Oscar awards, Twitter oscar awards, academy awards twitter
If The Academy of Motion Picture Arts and Sciences (AMPAS) had a New Media Division, one initiative should be something called "Oscar Friday". It's like Follow Friday on Twitter, where in that case it's a day, today, that Twitter users are encouraged to follow other Twitter users.
On Oscar Friday, Twitter users flying the hashtag #OscarFriday or #OF are encouraged to follow others who have the use that same hashtag or are recommending following other Twitter users under the #OscarFriday hastag. The idea is to have a kind of ring of connected Oscar followers that could better propagate an Oscar-related tweet.
Moreover, AMPAS could use its Twitter account to ignite the effort. That would mean stars like, if they were so encouraged to do so, Ashton Kutcher or @aplusk, and Iron Man 2 Director Jon Favreau or @Jon_Favreau, both active on Twitter and with many followers, could push an Oscar-related tweet. Maybe AMPAS could get Miley Cyrus back on Twitter? She's a presenter this year.
The current problem is AMPAS doesn't have a Twitter account, still, as of this writing. The reasons for this are not officially known here, but one can guess. AMPAS is stuck, hopefully not forever, in an old media mindset. While social networks and blogs are helping to spread the TV-generated Oscar talk, what's missing is Twitter, which can start media buzz without the aide of television, yet cause people to watch television. Why AMPAS doesn't get that is beyond comprehension.
For anyone who requires an example of how Twitter drove people to television, and indeed to demand TV coverage of a something, it's the Iran Protests. Now, for those who read this and have to launch a cynical "You're comparing the Oscars to the Iran Protests" comment, go ahead, but from the perspective of media relationships and message activation there is a clear equation: if something happens or is made to happen in the World, and a set of Twitter followers deems it important and they are large enough, those Twitter users can influence a change in what television does.
That's what happened in the case of the Iran Protest. CNN was panned so badly for its awfully small coverage of the Iran Protests that a new hashtag called #CNNFail was created and propagated. It was both a curse and a complement: Twitter users knew CNN had the resources to cover the Iran Protests and demanded they do it. Eventually CNN fell in line.
The point here is such a relationship can be manufactured to increase TV ratings. I've tried to explain this, in various ways to AMPAS, and I know it's on their radar, but nothing has been done. The fear in this corner is TV ratings would certainly improve under the Twitter system I suggest. Of course, having an active blog to feed to Twitter's part of the deal.
But of course, who cares? Well, millions do. Oscar's a celebration of the great things that people do in film. In fact I frankly get annoyed at those who tell me "I don't follow the Oscars or I didn't see a film.." That's not the point. If those people knew someone who was in line to get an Oscar, they'd change their view in a heart-beat.
As one who's been surrounded by death and funerals over the last three years, it's vitally important and morally right to celebrate people while they're alive. That's really what all these award shows are about, especially Oscar. That's why it's important to make sure people know about what's happening with Oscar and that's where Twitter and New Media comes in.
My prediction is Oscar's ratings will be much better than in 2009, but not quite up to record levels. It's the record levels that are key. Not using social networks effectively is the problem. It's one AMPAS must correct and sooner rather than later.
Now, my bags are almost packed (or at least enough for me to blast a blog post), and I'm getting ready to fly to LA and to Beverly Hills and Hollywood and Highland for the Oscars. Never been there before. I'm looking forward to checking out the Oscar MTV-U event Saturday morning, where college journalists will learn who's won the right to report from the Red Carpet. That will be something to see the faces of the winners. Then there's a number of TBDs for me, and finally Red Carpet Sunday morning and the Night of 100 Stars Party for The Oscars.
Stay tuned for my predictions, Tweets, and videos starting later today.
If The Academy of Motion Picture Arts and Sciences (AMPAS) had a New Media Division, one initiative should be something called "Oscar Friday". It's like Follow Friday on Twitter, where in that case it's a day, today, that Twitter users are encouraged to follow other Twitter users.
On Oscar Friday, Twitter users flying the hashtag #OscarFriday or #OF are encouraged to follow others who have the use that same hashtag or are recommending following other Twitter users under the #OscarFriday hastag. The idea is to have a kind of ring of connected Oscar followers that could better propagate an Oscar-related tweet.
Moreover, AMPAS could use its Twitter account to ignite the effort. That would mean stars like, if they were so encouraged to do so, Ashton Kutcher or @aplusk, and Iron Man 2 Director Jon Favreau or @Jon_Favreau, both active on Twitter and with many followers, could push an Oscar-related tweet. Maybe AMPAS could get Miley Cyrus back on Twitter? She's a presenter this year.
The current problem is AMPAS doesn't have a Twitter account, still, as of this writing. The reasons for this are not officially known here, but one can guess. AMPAS is stuck, hopefully not forever, in an old media mindset. While social networks and blogs are helping to spread the TV-generated Oscar talk, what's missing is Twitter, which can start media buzz without the aide of television, yet cause people to watch television. Why AMPAS doesn't get that is beyond comprehension.
For anyone who requires an example of how Twitter drove people to television, and indeed to demand TV coverage of a something, it's the Iran Protests. Now, for those who read this and have to launch a cynical "You're comparing the Oscars to the Iran Protests" comment, go ahead, but from the perspective of media relationships and message activation there is a clear equation: if something happens or is made to happen in the World, and a set of Twitter followers deems it important and they are large enough, those Twitter users can influence a change in what television does.
That's what happened in the case of the Iran Protest. CNN was panned so badly for its awfully small coverage of the Iran Protests that a new hashtag called #CNNFail was created and propagated. It was both a curse and a complement: Twitter users knew CNN had the resources to cover the Iran Protests and demanded they do it. Eventually CNN fell in line.
The point here is such a relationship can be manufactured to increase TV ratings. I've tried to explain this, in various ways to AMPAS, and I know it's on their radar, but nothing has been done. The fear in this corner is TV ratings would certainly improve under the Twitter system I suggest. Of course, having an active blog to feed to Twitter's part of the deal.
But of course, who cares? Well, millions do. Oscar's a celebration of the great things that people do in film. In fact I frankly get annoyed at those who tell me "I don't follow the Oscars or I didn't see a film.." That's not the point. If those people knew someone who was in line to get an Oscar, they'd change their view in a heart-beat.
As one who's been surrounded by death and funerals over the last three years, it's vitally important and morally right to celebrate people while they're alive. That's really what all these award shows are about, especially Oscar. That's why it's important to make sure people know about what's happening with Oscar and that's where Twitter and New Media comes in.
My prediction is Oscar's ratings will be much better than in 2009, but not quite up to record levels. It's the record levels that are key. Not using social networks effectively is the problem. It's one AMPAS must correct and sooner rather than later.
Now, my bags are almost packed (or at least enough for me to blast a blog post), and I'm getting ready to fly to LA and to Beverly Hills and Hollywood and Highland for the Oscars. Never been there before. I'm looking forward to checking out the Oscar MTV-U event Saturday morning, where college journalists will learn who's won the right to report from the Red Carpet. That will be something to see the faces of the winners. Then there's a number of TBDs for me, and finally Red Carpet Sunday morning and the Night of 100 Stars Party for The Oscars.
Stay tuned for my predictions, Tweets, and videos starting later today.
Chad Ochocinco Johnson runs naked in public
Chad Ochocinco Johnson runs naked in public in a park.
As pointed out in the video, drivers were honking their horns at him, which means they could see him in full view and he wasn't far from a roadway.
The question is why did he do it? Chad's an amazingly intelligent person and certainly a great athlete. But why this? Over at Twitter, Chad Ochocinco appologized to Nicole Richie:
@nikrichie i apologize for running through the woods naked, i did not expect people to be up at 6 am.
about 2 hours ago via web
Before that, Chad Ochocinco tweeted that someone took his clothes:
@BIGBDABULLY somebody robbed me for my clothes thats why i was runnin naked in the woods
about 7 hours ago via web in reply to BIGBDABULLY
Of course, it's all just plain good publicity for his first appearance on Dancing with The Stars this year. On Twitter, Chad encourages his followers to follow his dancing partner, Cheryl Burke:
Everybody please follow my awesome dance partner the wonderful @cherylburke1,
about 8 hours ago via Swift
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